© Filippo Poli

菲力波·波利

架构师提供的文本描述。我们理解该项目对其位置和项目需求的特殊性作出反应。

Text description provided by the architects. We understand the project responds to the particularities of its location and program needs.

 © Filippo Poli

菲力波·波利

就地点而言，该地点位于合并城镇的边界和未来的扩展区之间。从一种织物到另一种织物的过渡是由梅德尔河支持的一片天然土地所完成的。在北边，统一的城镇是由庭院组成的，在这些庭院中可以看到排屋的后立面。

In relation to the location, the site is placed between the boundary of the consolidated town and the future expansion areas. The transition from one fabric to the other is articulated by a strip of natural land supported by the Meder River. In the northern edge, the consolidated town is composed by courtyards where the rear façades of row housing look over.

 Floor Plan N +1.5

平面图N1.5

其中，我们发现了“坎塞拉托萨”，这是现在的维克音乐学校的家，它将拥有新音乐学校的公共区域。Wan Serratosa有一条侧巷，允许从街道直接进入现场。这将成为拟订该提案的一个重要方面。

Among them we find “Can Serratosa”, the current home of the Vic Music School, which will hold the common areas of the new Music School. Can Serratosa has a side lane that permits direct access from the street to the site. This will become an important aspect in the development of the proposal.

 © Filippo Poli

菲力波·波利

另一方面，南缘只有一个没有实质一致性的物业分界，我们认为应该用河流单位所界定的未建土地和绿地的连续性解来解决。

The southern edge, on the other hand, only has a property boundary without any real consistency, which we think should be dissolved using the continuity solution for the unbuilt site and the green area defined by the river flats.

 © Filippo Poli

菲力波·波利

关于该方案：

In relation to the program:

它基本上由不同构成的部分组成：剧院、礼堂、服务机构、音乐学校和餐厅。剧院和礼堂是不需要自然光的大型单元，而音乐学校则是重复添加需要自然光和通风的小单元。在剧院的例子中，不可避免的高塔高度是一个突出的特征。它的容量将使它成为一个视觉参考的综合体与城市和当地的周围环境。

It is basically made up of parts of different constitution: Theatre, Auditorium, Services, Music School and Restaurant. While the Theatre and the Auditorium are large-scale units with no need of natural light, the Music School is the repetitive addition of small units that need natural light and ventilation. In the case of the Theatre, the inevitable height of the fly tower is an outstanding feature. Its volume will make it a visual reference for the complex in relation to the city and the local environs.

 © Filippo Poli

菲力波·波利

在起草提案时，我们考虑到以下目标：

We bore the following aims in mind while drafting the proposal:

1.关于这座被认为是合并的城镇的建筑物，它是城市结构中融化的一部分。另一方面，将开放空间与河岸组织的自然区域连接起来。

1. Regarding the building ascribed to the consolidated town as a melted part of the urban fabric. While, on the other hand, linking the open space to the natural territory organised by the riverbank.

 © Filippo Poli

菲力波·波利

2.使用能够使用相同设计工具的项目系统-基本上是与地面、几何学和屋顶的关系-来解决项目的用途和规模完全不同的问题，例如构成项目的项目。同时，设法将飞塔体积纳入系统的适用规则。

2. Using project systems that would be able with the same designing tools -basically the relationship with the ground, the geometry and the roofs- to resolve items with utterly different uses and scales like the ones that form the programme. And, at the same time, managing to include the fly tower volume in the rules of the system applied.

 © Filippo Poli

菲力波·波利

3.从这个意义上说，使用从“CAN Serratosa”到开放空间的通道非常重要，因为这是一个支柱，可以进入方案的每一个部分。还有倾斜屋顶的使用，它从飞行塔的顶部向下延伸，直到覆盖门廊和教室。

3. In this sense, it has been quite important the use of the lane from “Can Serratosa” to the open space as a backbone that situates and provides access to every part of the programme. And also the use of the sloping roof which descends from the top of the fly tower and spreads out until it covers the porches and classrooms.

 © Filippo Poli

菲力波·波利

4.在这些材料中-混凝土、玄武岩、天然石、铝等等-我们在飞塔和音乐学校的最高立面上引入了一种金属护岸，一种橱柜-铝合金，它将目光引向建筑群的天际线，从那里到维克的城市。

4. Among the materials –concrete, basalt natural stone, aluminium, etc.- we have introduced at the highest façades of the flytower and the Music School, a metallic revetment, a cupper-aluminium alloy, that leads the eye to the skyline of the complex and from there to the city of Vic’s one.

Architects UTE Llinàs-Llobet-Ayesta-Vives

Location Vic, Barcelona, Spain

Category Music Venue

Director Architect Josep Llinàs

Associates Architects Josep Llobet, Pedro Ayesta, Laia Vives

Area 10500.0 m2

Project Year 2010

Photographs Filippo Poli

Manufacturers Loading...