© Shai Gil

(C)Shai Gil

架构师提供的文本描述。坐落在布里奇桥附近的湖边，这间朴素的四季小屋被设计成依偎在风景中，轻轻踩在陆地上。它的雕塑形式既依赖于木材的结构强度，也依赖于美学的温暖，以一种成本效益高的方式，利用当地木工行业的力量。

Text description provided by the architects. Sited on a lake near Bracebridge, this modest four-season cabin was designed to nestle into the landscape and tread lightly on the land. Its sculptural form relies on wood both for structural strength and aesthetic warmth, in a cost-effective manner that capitalized on the strength of the local carpentry trades.

 © Shai Gil

(C)Shai Gil

这个设计的目的是要建造一个小脚印的家，一个把传统木屋的温暖与干净的线条和更现代的能源效率结合在一起的住宅。这座小木屋的雕塑形式是为了融入现有的地形图，从土地的起伏和树木中的景色中提取线索。雕塑形式的阅读在很大程度上是由于船舱材料的连续性而提高的。雪松在室内墙壁和天花板上，屋顶和外墙上，内外混合使用。

The design set out to make a small footprint home, one that married the warmth of a traditional log cabin with the clean lines and energy efficiency of something more modern. Designed to nestle into the existing topography of the site, the sculptural form of the cabin takes its cues from the rise and fall of the land, and the views through the trees. The sculptural reading of the form is heightened to a great degree by the cabin’s material continuity. Cedar was used throughout - on the interior walls and ceilings, on the roof and on the exterior walls, blending inside and out.

 Elevations

外面的雪松、摇动和木板都没有经过处理。随着时间的推移，他们的气候和漂白，小屋将进一步融入其景观。客舱的名称-“隐身舱”-指的是这种材料和形式的混合。

The exterior cedar shakes and boards were left untreated. As they weather and bleach out over time, the cottage will blend further into its landscape. The name of the cabin - ‘Stealth Cabin’ - refers to this material and formal blending.

 © Shai Gil

(C)Shai Gil

机舱的设计是为了尽量减少视觉和物理上的影响。小木屋依偎在树林里，大小和高度适中，从湖边几乎看不见这间小木屋。小木屋的规模、比例和雕塑形式都是从土地的现有起伏中提取出来的，形成了与遗址的深刻联系。

The cabin is designed to minimize both its visual and physical impact. Nestled into the woods and of a modest size and height, the cabin is only barely visible from the lake. The scale, proportions and sculptural form of the cabin take their cues from the existing rise and fall of the land, creating a profound connection to the site.

 © Shai Gil

(C)Shai Gil

Sustainability

小规模的环境足迹对客户来说至关重要。实现这一目标的第一步是在小木屋的位置上保存尽可能多的活树，以符合该财产的林业管理计划。船舱的方向是利用当时的微风和湖景。

A small environmental footprint was paramount to the clients. The first step in achieving this was siting the cabin to preserve the maximum number of living trees, in keeping with the forestry stewardship plan for the property. The cabin was then oriented to take advantage of the prevailing breezes and views to the lake.

 © Shai Gil

(C)Shai Gil

该方案和辐射供暖系统的设计，使机舱的北半部可以关闭时，不使用，以减少能源消耗。在混凝土楼板下引入高效壁炉的热排风，以提供辅助加热。

The plan and the radiant heating system were designed so that the north half of the cabin could be closed off when not in use, to reduce energy consumption. Hot exhaust air from the high efficiency fireplace is ducted under the concrete floor slab to provide supplemental heating

 © Shai Gil

(C)Shai Gil

客舱是为被动冷却和通风而设计的，其定位是为了利用现场盛行的微风。为了尽量减少VOCs和资源的使用，室内和外部木材表面没有经过处理。这也有助于最大限度地提高室内空气质量。FSC木材在整个项目中被使用。

The cabin is designed for passive cooling and ventilation and orientated to take advantage of the prevailing breezes on the site. To minimize VOCs and resource use, interior and exterior wood surfaces were left untreated. This also helps to maximize indoor air quality. FSC lumber was used throughout the project.

 © Shai Gil

(C)Shai Gil

好生意

Good business

客户感兴趣的是在一个较小的脚印上建立一个温暖、现代的小木屋。设计团队面临的挑战在于制定一个紧凑的计划，该计划同时具有广阔的空间和丰富的空间。在设计过程中，团队与建筑工人紧密合作，以实现建筑效率，这将释放该部分，以实现一个充满光的雕塑部分。

The client was interested in achieving a warm, modern cabin on a small footprint. The challenge for the design team lay in making a compact plan that was at the same time expansive and spatially rich. The team worked closely with the builder during the design process to achieve efficiencies in the construction that would free up the section to achieve a sculptural section awash with light.

 © Shai Gil

(C)Shai Gil

该项目结合传统的农村安大略省木材建筑和可持续性，在一个紧凑的现代足迹。没有蓬勃或多余的细节，小屋实现了建筑的丰富性，使小屋感觉比它的物理上更广阔，并深深地参与其场地和景观。该项目具有独特的特点和真实性，这是由于客户和网站在设计过程中异常深刻的参与。

The project marries the tradition of rural Ontario wood architecture with sustainability, within a compact modern footprint. Without flourish or superfluous detail the cabin achieves an architectural richness that makes the cabin feel more expansive than it is physically, and deeply engaged in its site and landscape. The project has an unique character and authenticity that result from an unusually profound engagement of the client and the site in the design process.

Architects Superkül inc

Location Bracebridge, Canada

Category Houses

Architects in Charge Andre D’Elia, Meg Graham

Project Architect Anya Moryoussef

Area 1500.0 ft2