Cineteca Nacional Siglo XXI Rojkind Arquitectos
2014-02-19 09:00
架构师提供的文本描述。自重开以来,Cineteca Nacional Siglo XXI的观众人数继续令人惊讶,2013年观众总数为806,803人-与前一年相比增长了29.22%,放映的电影数量也增加了1,287部。
Text description provided by the architects. Since its reopening, the Cineteca Nacional Siglo XXI attendance numbers continue to surprise with a total of 806,803 viewers in 2013 -an increase of 29.22% compared to the previous year and with 1,287 more movies screened-.
© Rojkind Arquitectos. Photo: Paul Rivera
(C)罗金德·阿奎托斯。图片:Paul Rivera
政治时报设定了10个月的建设时间表,这使得建设团队在2012年12月总统费利佩·卡尔德洛(Felipe Calderón)离任之前,以快速的方式完成了这一项目。因此,该项目的某些方面被推迟或取消,以便及时完成正式仪式。幸运的是,在墨西哥,新的政府管理部门已承诺按照原来的设计完成这项工作,并看到该项目全面完成。在墨西哥,这些项目并不常见于从一个政府到另一个政府的项目。这项工作预计将在今夏结束前完成。
A 10-month construction schedule set by political times put the construction team in a fast track mode to finish the project before President Felipe Calderón left office in December 2012. As a result, some aspects of the project were postponed or canceled in order to get it done in time for an official ceremony. Luckily, and not common in projects that transcend from one administration to the another in Mexico, the new government administration has committed to finishing the work according to the original design and see the project come to its full completion. The work is expected to be completed by the end of the summer.
Ground Floor Plan
尽管项目没有完全执行,但设计团队对它如何已经改变了社区充满了热情。“这是一个非常民主的社会空间,”GerardoSalinas说。“当我们最初提出这一想法时,政府当局非常怀疑像露天竞技场这样的区域是否能被所有人使用-富人和资源较少的人。”但他表示,这正是所发生的事情。
Even though the project is not fully executed, the design team is enthusiastic about how it has already changed the community. “It’s a very democratic, very social space,” says Gerardo Salinas partner at Rojkind Arquitectos. “When we proposed this idea originally, the government authorities were very doubtful that areas like the outdoor amphitheater could be used by everyone—affluent people as well as people with less resources.” But that is precisely what has happened, he says.
© Rojkind Arquitectos. Photo: Jaime Navarro
(C)罗金德·阿奎托斯。图片:Jaime Navarro
位于墨西哥城南部的墨西哥国家电影档案馆和电影研究所是拉丁美洲最重要的电影遗产所在地。它的校园占据了被扼杀的Xoco镇内一个规模相当大的未充分利用的场地。这座历史悠久的小镇曾经被农田包围,如今却坐落在城市扩张的深处,由于开发商和市政当局的经济和政治压力,这座城市正面临着灭绝。开发商和市政当局觊觎其优越的地理位置。
Located in the southern quadrant of Mexico City, the National Film Archive and Film Institute of Mexico is home to the most important film heritage of Latin America. Its campus occupied an underutilized site of considerable dimensions within the strangled town of Xoco. This historic town, once surrounded by agricultural land, now sits deep within the urban sprawl and faces extinction due to economic and political pressures from developers and municipal authorities which covet its privileged location.
现有的建筑群可以追溯到1982年,当时一场大火摧毁了校园的一部分和大部分档案,而且是一个“临时”设施,从来不适合它的用途。此外,成千上万的人每天步行进出附近的一个地铁站,埃斯特西奥́n地铁Coyoacan。
The existing complex dated from 1982, when a fire destroyed part of the campus and most of its archive, and was a “temporary” facility never well suited for its purpose. Additionally, thousands of people cross the grounds daily as they walked to and from one of the city’s nearby metro station, Estación Metro Coyoacan.
面对全面更新,Cineteca最初的项目简介包括现有建筑群的扩建和翻新,其中包括额外的拱顶空间和四个新的放映室。但为了应对当前的城市条件,需要做更多的修复工作,以将部分土地恢复为公共空间,缓解密集的新开发环境Xoco,并适应行人和休闲游客的不断流动。
Facing total renewal, Cineteca’s original project brief included the expansion and renovation of the existing complex incorporating additional vault space and four more screening rooms. But in response to the immediate urban condition, additional restorative work needed to be done to reclaim part of the site as public space, give relief to the dense new-development- filled surroundings of Xoco and accommodate the constant flow of pedestrians and casual visitors.
© Rojkind Arquitectos. Photo: Paul Rivera
(C)罗金德·阿奎托斯。图片:Paul Rivera
首先,地面停车场被整合成一个六层结构,释放了40%的场地。然后,步行友好的“后入口”,位于街对面的历史城镇的公墓,被重新激活-70%的Cineteca的顾客使用公共交通和步行现在回收的空间里有两个轴线组织的新项目,一个垂直于真正的马约拉日戈的街道,成为主要的人行入口,另一个垂直于Av。México-coyoacán,用于汽车和行人通道。
First, surface parking was consolidated into a six story structure freeing 40% of the site. Then the pedestrian friendly “back entrance”, located across the street from the historic town’s cemetery, was reactivated –70% of Cineteca patrons use public transportation and arrive by foot–. The reclaimed space now houses the new program organized along two axes, one perpendicular to the street of Real Mayorazgo becoming the main pedestrian entrance and the other perpendicular to Av. México-Coyoacán for both car and pedestrian access.
该轴线交叉口成为一个新的80米×40米的公共广场,通过一个悬停的天篷将现有的建筑群与新的放映室连接起来,使其免受天气的影响。在复合铝板,与不同大小的三角形穿孔,屋顶结构包裹在新的筛选室,并成为他们的父亲̧的。遮蔽空间作为旧的和新的放映室的门厅,可以容纳额外的节目选择,如音乐会,剧院,展览等。“我们不想让它感觉像在商业电影院的大厅里,我们希望它更像一个大学校园,所有东西都漂浮在公园里。”设计总监米歇尔·罗金德说。
The axes intersection became a new 80m x 40m public plaza sheltered from the weather by a hovering canopy connecting the existing complex with the new screening rooms. Clad in composite aluminum panels, with varied size triangular perforations, the roof structure wraps around the new screening rooms and becomes their façade. The sheltered space functions as the foyer for the old and new screening rooms and can accommodate additional program options such as concerts, theater, exhibitions, etc. “We didn’t want it to feel like you’re in the lobby of a commercial cinema, we wanted it to feel more like a university campus, with everything floating in a park” says design principal Michel Rojkind.
在最初的项目中,增加了一个室外竞技场、广阔的景观和新的零售空间,扩大了社会和文化互动和交流的可能性,并给复杂的校园增添了一种校园感觉。
An outdoor amphitheater, extensive landscaping and new retail spaces were added to the original program expanding the possibilities for social and cultural interaction and exchanges, and giving the complex a university campus feel.
© Rojkind Arquitectos. Photo: Jaime Navarro
(C)罗金德·阿奎托斯。图片:Jaime Navarro
新的甄别室各有180个座位,现有的甄别室已按现有技术更新。总的来说,这个建筑群现在可以容纳2,495名游客进入室内影院。露天竞技场可容纳750人.该网站还增加了两个新的胶片库,使Cineteca的档案容量增加了50 000卷胶片。停车位容量也增加了25%,达到528辆汽车。
The new screening rooms seat 180 each and the existing screening rooms were updated with current technology. Overall the complex can now seat 2,495 visitors in indoor theaters. The outdoor amphitheater has a 750-person capacity. Two new film vaults were also added to the site, increasing Cineteca’s archive capacity by 50,000 reels of film. Parking capacity was also increased by 25% to a total of 528 cars.
© Rojkind Arquitectos. Photo: Jaime Navarro
(C)罗金德·阿奎托斯。图片:Jaime Navarro
每天使用场地的数千人现在发现了欢迎的不受限制的公共空间:早上和晚上,上班族仍然在校园里来回走动,附近一家医院的医护人员中午停下来吃午餐,学生们下午在公园里闲逛,晚上看电影的人参加免费的户外活动。新增的便利设施使校园成为人们喜爱的聚会场所,不仅是影迷们喜欢的地方,也是Xoco居民和工作人员喜欢的聚集地,他们就像他们的后院一样占用了这片空间。
The thousands of people that use the grounds everyday now find welcoming unrestricted public space: commuters still walk back and forth across the campus in the morning and evening, medical staff from a nearby hospital stop by to eat their lunches at noon, students hang out at the park in the afternoon, and moviegoers attend free outdoor events in the evening. The added amenities have turned the campus into a favorite gathering space not only for moviegoers but also for Xoco residents and workers who have appropriated the space as if it were their backyard.
© Rojkind Arquitectos. Photo: Jaime Navarro
(C)罗金德·阿奎托斯。图片:Jaime Navarro
Architects Rojkind Arquitectos
Location Av. México Coyoacán, Xoco, 03330 Ciudad de México, D.F., Mexico
Category Community
Founding Partner Michel Rojkind
Partner Gerardo Salinas
Area 49000.0 m2
Project Year 2014
Photographs Rojkind Arquitectos. Photo: Paul Rivera, Rojkind Arquitectos. Photo: Jaime Navarro
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