架构师提供的文本描述。一个彩色的混凝土巨石延伸了现有的车站，容纳了毛里求斯，该镇的城市和社会历史博物馆。延伸构成车站的基础，它的平滑，轻微倾斜的正面展开，并延伸到周围的挡土墙。

Text description provided by the architects. A coloured concrete monolith extends the existing station to host the MUS, the town's museum of urban and social history. The extension forms the foundation for the station, with its smooth, slightly tilted façade unfolding and running up to the surrounding retaining walls. 

 © Cyrus Cornut

赛勒斯·科努特

车站已被保留在原来的形式，新的基础创造了一个空间，一个凸起的平台，可用于开放，教育活动或户外展览。

The station has been preserved in its original form, and the new foundation creates a space for a raised terrace which can be used for openings, educational events or outdoor exhibitions.

 © Luc Boegly

吕克·博格利

接待区、服务和临时展览设在博物馆的新部分，而永久藏品则在旧站的两层楼展出。一楼显示了从传统的葡萄园和朝圣的Suresnes村到一个工业城镇的过渡，这个小镇生产了新的大众市场产品，但却产生了住房问题。

The reception area, services and temporary exhibitions are located in the new section of the museum, while the permanent collections are presented on the two floors of the old station. The ground floor shows the transition from the village of Suresnes, with its traditions of vineyards and pilgrimages, to an industrial town which produced new mass-market items but generated housing problems.

 © Cyrus Cornut

赛勒斯·科努特

当他们上楼时，游客们会被1919年至1941年该镇市长亨利·塞利尔的肖像所欢迎，并发现他的野心和行动。

As they go upstairs, visitors are greeted by the portrait of Henri Sellier, mayor of the town from 1919 to 1941, and discover his ambitions and actions.

 © Luc Boegly

吕克·博格利

展示在白色大桌子上的模型和物品讲述了这个城市的城市和社会规划的故事。大规模的图像被投影来提供上下文和动画显示。在这个博物馆里，我们利用色彩的相互作用成功地将当代建筑和一座历史建筑并列起来：外面的混凝土模仿了石头的柔和、自然的颜色，而室内的博物馆则唤醒了砖的明亮、欢快的色调。

Models and objects displayed on large white tables tell the story of the town's urban and social planning. Large scale images are projected to provide context and animate the displays. In this museum, we use the interplay of colours to successfully juxtapose contemporary architecture and a historic building: outside, the concrete imitates the soft, natural colour of the stone, while indoors the museography awakens the bright, joyous tones of the brick.