Hanjie Wanda Square UNStudio
2014-01-07 01:00
汉杰万达广场是位于武汉中心文化中心的一个新的豪华购物广场,是中国武汉市最重要的地区之一。在2011年的一次竞赛之后,有来自国家和国际建筑师的设计作品,UNStudio的总体设计被万达选为汉杰万达广场正面和内部的获奖作品。购物广场设有国际品牌商店、世界级精品店、餐饮网点和电影院。
Hanjie Wanda Square is a new luxury shopping plaza located in the Wuhan Central Culture Centre, one of the most important areas of Wuhan City in China. Following a competition in 2011, with design entries from national and international architects, UNStudio’s overall design was selected by Wanda as the winning entry for the facade and interior of the Hanjie Wanda Square. The shopping plaza houses international brand stores, world-class boutiques, catering outlets and cinemas.
在UNStudio的设计中,奢侈品的概念是通过注重高贵而又简单的材料的工艺来实现的,并将当代和传统的设计元素结合在一个概念中。
In UNStudio’s design the concept of luxury is incorporated by means of focussing on the craftsmanship of noble, yet simple materials and combines both contemporary and traditional design elements in one concept.
本范伯克尔:“反射,光和模式是使用整个汉杰万达广场,以创造一个几乎幻想的世界。为购物者创造了新的缩影和体验,或许类似于戏剧世界,在这种情况下,零售建筑群几乎变成了一个舞台或一个表演场所,并为游客提供了各种不同的印象和体验。“
Ben van Berkel: “Reflection, light and pattern are used throughout the Hanjie Wanda Square to create an almost fantastical world. New microcosms and experiences are created for the shopper, similar perhaps to the world of theatre, whereby the retail complex becomes almost a stage or a place of performance and offers a variety of different impressions and experiences to the visitor.”
对于汉街万达广场的设计,注意力和游客流量都是从主要路线引向建筑物的立面和入口。从这三个主要入口,游客流量随后被引导到两个内部中庭。“流动协同”的概念是所有设计组成部分的关键;建筑围护结构的流畅表达、动态立面照明及其内容的规划以及通过连接走廊引导顾客从中央中庭到上层和整个建筑的内部模式语言。
For the design of the Hanjie Wanda Square attention and visitor flows are guided from the main routes towards the facades and entrances of the building. From the three main entrances visitor flows are thereafter guided to two interior atria. The concept of ‘synergy of flows’ is key to all of the design components; the fluid articulation of the building envelope, the programming of the dynamic façade lighting and its contentand the interior pattern language which guides customers from the central atria to the upper levels and throughout the building via linking corridors.
外观设计反映了手工制作的两种材料:抛光不锈钢和图案玻璃。这两种材料被制成9个不同的修剪,但标准化的球体。它们的特定位置相互联系,再现了水中运动和反射的效果,或丝织物的感官褶皱。
The façade design reflects the handcrafted combination of two materials: polished stainless steel and patterned glass. These two materials are crafted into nine differently trimmed, but standardised spheres. Their specific positions in relation to each other recreate the effect of movement and reflection in water, or the sensuous folds of silk fabric.
几何形状从全不锈钢球体到一系列逐渐修剪的球体到一个半球,夹层玻璃镶嵌印刷箔。球体直径为600毫米,安装在900 x 900 mm刷过的铝板上,这些铝板是预先组装并安装在现场的。
The geometry ranges from full stainless steel spheres to a sequence of gradually trimmed spheres down to a hemisphere, with an inlay of laminated glass with printed foil. The spheres have a diameter of 600mm and are mounted at various distances on the 900 x 900mm brushed aluminium panels, which were preassembled and mounted on site.
建筑照明被整合到建筑围护结构的42.333个球体中。在每个球体内,LED固定装置向夹层玻璃上发光,产生发光的圆形斑点。同时,在球体后侧的第二组LED会在背板上形成漫射照明。总共有3100000盏LED灯,其中覆盖面积17894平方米。媒体正面。各种可能的组合和控制这些灯允许不同的媒体照明效果和规划与使用和激活汉街万达广场相关的照明序列。
The architectural lighting is integrated into the building envelope’s 42.333spheres. Within each sphere LED-fixtures emit light onto the laminated glass to generate glowing circular spots. Simultaneously a second set of LED’s at the rear side of the spheres create a diffuse illumination on the back panels. A total of 3100000 LED lights where used to cover the 17894 sq.m. media facade. Various possibilities to combine and control these lights allows diverse media lighting effects and programming of lighting sequences related to the use and activation of the Hanjie Wanda Square.
内部概念是围绕北和南中庭发展,创造了两个不同的,但综合的氛围。中庭成为汉界万达广场当代与传统两种身份的动态二重性的中心。几何、材料和细节的变化决定了这些不同的特征。
The interior concept is developed around the North and South atria, creating two different, yet integrated atmospheres. The atria become the centre of the dynamic duality of the two Hanjie Wanda Square identities: Contemporary and Traditional. Variations in geometry, materials and details define these differing characters.
本·范伯克尔:“在汉杰万达广场,一个圆形的主题以许多不同的方式重复,无论是在正面还是在内部。所使用的图案受到许多传统和当代文化参照的影响,与时尚、产品和日常消费品有关,但也与艺术和文化历史中的图案使用有关。模式驱动着我们的审美选择,无论它们是个人的还是共享的,而在汉界万达广场作为一个背景,欲望的世界封装在当代购物广场中。“
Ben van Berkel: “In Hanjie Wanda Square a circular motif is repeated in many different ways, both in the facade and throughout the interior. The patterns used were influenced by numerous cultural references, both traditional and contemporary and are connected to fashion, products and everyday consumer items, but also to the use of pattern in art and in our cultural history. Patterns drive our aesthetic choices, whether they be personal or shared and in Hanjie Wanda Square act as a background to the world of desire encapsulated in the contemporary shopping plaza.”
有两个主要入口,北中庭被认为是一个主会场大厅,南中庭被认为是一个更亲密的会场大厅。北中庭的特点是温暖的黄金和青铜材料,反映了一种文化,传统的身份。
With two main entrances, the North atrium is recognised as a main venue hall, and the South atrium as a more intimate venue hall. The North atrium is characterised by warm golden and bronze materials reflecting a cultural, traditional identity.
在南中庭,银色和灰色的细微差别与反射纹理反映了城市的身份和它的城市节奏。两个中庭都由天窗加冕,天窗上有一个漏斗结构,连接屋顶和底层。漏斗结构是每套2600个玻璃板和数字印刷与一个复杂的图案。此外,每个漏斗整体上都有一对全景电梯。
In the South atrium Silver and grey nuances with reflective textures reflect the city identity and its urban rhythm. Both atria are crowned by skylights with a funnel structure which connects the roof and the ground floor. The funnel structures are each clad with 2600 glass panels and are digitally printed with an intricate pattern. In addition, each funnel integrally houses a pair of panorama lifts.
Location Shahu Avenue, Wuchang, Wuhan, Hubei, China, 430073
Category Shopping Centers
Design Team Ben van Berkel, Caroline Bos, Astrid Piber with Ger Gijzen and Mo Lai, Konstantinos Chrysos, Ariane Stracke, Veronica Baraldi and Thomas van Bekhoven, Elisabeth Brauner, Rodrigo Cañizares, Luis Etchegorry, Albert Gnodde, Ka Shin Liu, Chiara Marchionni, Cynthia Markhoff, Tomas Mokry, Iris Pastor, Machiel Wafelbakker, Shuang Zhang, Jinming Feng, Xinyue Guo, Cheng Gong
Model Makers Patrick Noome, Todd Ebeltoft, Ali Ashgar
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