架构师提供的文本描述。地形是一个平坦而凸起的平台，房子位于南北轴线上，向西形成了非凡的视野，几乎所有的景观都指向那里。在前面有一条陡峭的街道，允许进入两个不同的层次：主层，房子的社交区位于那里，另一个在地下室，用于汽车和服务。第三层是房子的私人区域。

Text description provided by the architects. The terrain is a flat and raised platform, the house is positioned on a north-south axis generating an extraordinary view towards the west, where almost all views are directed to. On the front there is a steep street, allowing the entries on two different levels: the main level, where the social area of the house is located and the other in the basement, for cars and services. The third level contains the private areas of the house.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

房子的概念使用不规则的土地形状来发展他们的体积之间的关系。我们把两个平行的物体放置在每一个相邻的北部和南部，形成一个巨大的钻石形状的空隙在中心作为项目的主角。这个双高度的空隙只被西边的桥和房间的体积所穿过。

The house concept uses the irregular shape of the land to develop a relationship between their volumes. We placed two parallel bodies on each of its adjacencies north and south, making a big diamond shaped void in the center as the protagonist of the project. This double height void is crossed only by the bridge on the west and the flown volume of the rooms.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

这些卷的表达方式与前面和后面不同。北面矗立着一具巨大的尸体，它飞过一堵木墙，形成了一个大厅，欢迎来访者。这个身体在里面刹车形成一个绿色的区域后面的木墙，以保护住在下午的阳光。在南面，有一个垂直的身体诞生于地下室，顶上房子的最高部分，它消失在背面，给第三卷自由展开，并包含花园。面对街道的立面在现存的树木、庭院树的顶部和前面的倾斜花园之间创造了一个街区游戏。

The volumes express themselves differently to the front and the back. To the north stands a large body flown over a wooden wall generating a foyer welcoming the visitor. This body brakes inside to form a green area behind the wooden wall to protect the living from the afternoon sun. To the south, lies a vertical body born from the basement that top off on the highest part of the house, it disappears on the back giving freedom to a third volume that unfolds and contains the garden. The façade facing the street creates a block game between the existing trees, the tops of the courtyard trees and the sloping garden on the front.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

房子在社会领域是开放和透明的，但同时，它在私人领域实现了很强的隐私。空间以一种非常流畅的方式交织在一起，正门上的前厅，主楼梯出现的地方，与内部庭院接壤。向前看，这个空间完全是在客厅区域开放的，只有壁炉前的一堵对角线墙，它是一个巨大的混凝土单体，横跨双高，此外，它还与内部庭院有着戏剧性的连接。在另一边，它打开了大露台，这是最慷慨和重要的空间的房子。

The house is open and transparent in the social areas but, at the same time, it achieves a very strong privacy in the private area. Spaces interweave in a very fluid way, the vestibule on the main entrance, where the main stairs emerge, it is bordered by the inner courtyard. Going forward, the space opens completely in the living-dining room area, which is bounded only by a diagonal wall in front of the fireplace that stands as a huge concrete monolith which crosses the double height, additionally, it makes a dramatic connection to the inner courtyard. On the other side it opens towards the large terrace which is the most generous and important space of the house.

 Ground Floor Plan

在南卷，有一个私人区域的房子，一个工作室与一个垂直窗口的庭院和另一个纵向面对街道。这间工作室与厨房之间只有一个木块隔开，那里的储藏室被放置；它隔开了两个房间，并作为一个视觉终点从入口大厅。这两个区域与连接花园、烧烤区和通往主露台的外部服务的服务楼梯通信。

In the south volume, there’s a private area of the house, a studio with a vertical window towards the courtyard and another longitudinal facing the street. This studio is separated from the kitchen only by a wooden block where the pantry was placed; it separates the two rooms and serves as a visual end point from the entry hall. These two zones communicate with the service staircase that links the garden, grill area and outside services that lead to the main terrace.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

露台是一个非常宽敞的空间，回巢形状，包括一个客厅和餐厅直接连接到厨房。它没有立柱，它是由二楼的主体形成的一个大悬臂，向东和南大开。

The terrace is a very generous space, boomerang shaped, containing a living area and a dining connected directly with the kitchen. It has no columns; it is a large cantilever formed by the body of the second floor and opens dramatically to the east and south.

 Floor Plan

在北边有一个游戏室，它也延伸到露台上，与花园有着直接的联系，花园正向后倾斜，以创造深度，将目光引向地平线，同时也给房子留下了隐秘的空间。“L”字形的位置允许向南转；利用邻近的房子很低的优势，可以将上面的景物朝向森林地区，从而使房子包括景观。

To the north lies the game room that also unfolds onto the terrace and has direct communication with the garden, which is sloping upwards on the back to create depth and direct the eyes to the horizon, while simultaneously gives privacy to the house. The "L" shaped position allows turning to the south; taking advantage the neighboring house is very low, it is possible to orient the view above it toward the wooded area, and thus the house embraces the landscape.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

上层是由两个身体组成的，把孩子们的房间和主卧室分开，还有一个独立的房间，可以为访客工作。主卧室位于游戏室上方，是一只扶手放在花园上。它有一个非常宽敞的壁橱空间和独立的浴室区域。孩子们的房间被传达到一个家庭房间，这个房间打开了双高度，但也可以关闭给隐私。在这一点上，你也有一个体育馆，打开了庭院。

The upper floor is made in two bodies, detaching the children's rooms from the master bedroom, and an independent room that can work for visitors. The master bedroom is located above the game room as an arm that sets onto the garden. It has a very generous closet space and separate bathroom area. The children's rooms are communicated to a family room that turns onto the double height, but also can be closed to give privacy. At this point you there’s also the gym that opens onto the courtyard.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

门控社区至少需要70%的倾斜屋顶；我们做了一个木和钢表面结构。上面覆盖着氧化铁涂层陶瓷。

The gated community requires at least 70% of inclined roofs; we made a wood and steel apparent structure. It is covered on top with iron oxide coated ceramic.

很少用材料来强调房子的体积。楼下的地板是木头和大版面的大理石。一些墙壁在正面用孜然木覆盖，背上有黑色的美洲石灰石。木匠用的木材是胡桃，有特定的混凝土体积，其余的是抹灰墙。

Few materials were used to emphasize the volumes of the house. Downstairs the floors are wood and large format marble pieces. Some walls are covered in cumarú wood on the facade, and straps of black America limestone on the back. The wood used in carpentry is walnut, there are specific concrete volumes and the rest are plastered walls.