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莫斯科屋顶和特雷雅科夫画廊现有建筑的图像是大量的玻璃倾斜屋顶-金字塔，甚至可以在围栏的元素中看到。这个形状是我们为北方正面的玻璃表面选择的。当金字塔的倾斜部分被上下两面指向时，整个金字塔的正面就变成了一个广义的图像，一个不断变化的城市的倒影。

The images of Moscow roofs and the existing buildings of the Tretyakov Gallery building are abound glass sloping roofs - pyramids which can be seen even in elements of the fence. This shape was chose by us for the glass surface of the Northern frontage. As sloping parts of the pyramid are directed both up-down and to the sides, the frontage as a whole becomes a generalized image, a continuously altering reflection of the City.

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另一张照片是从Tretyakov的室内场景中拍摄的，照片相距很近，形成了一个原始的结构。这个形象被我们用来团结“金字塔”。正面的划分正在从大的调整到向西的小的消防楼梯的体积，这符合附近建筑物窗户的小尺度。音乐厅的巨大正面(由油漆混凝土制成)结合了越来越小的元素。该组合以另一个玻璃正面结束，这是一个半透明的幕布，反映了沿步行街矗立的画廊历史建筑的正面。

Another image was taken from the photography where pictures are located so close to each other in the indoor scene of Tretyakov that they make an original structure. This image was used by us to unite the “pyramids”. Divisions of the frontage are changing from the large ones, where they adjust to the volume of the fire staircase to the smaller ones to the West, which complies with the small scale of the windows of the building located nearby. The massive frontage (made of painted concrete) of the concert hall combines smaller and larger elements. The composition ends with another glass frontage, a semi-transparent curtain which reflects frontages of historical buildings of the gallery standing along the pedestrian area.

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无可争辩的是，这座建筑的主要正面是它的西北部分，面对着卡达什夫斯卡亚堤坝和它的长长的前方。这一正面不仅成为特雷雅科夫画廊新建筑的主要建筑，而且成为整个博物馆区的主要建筑，是城市路堤开发的城市线，是城市的象征之一。正面继承了Tretyakov画廊现有建筑群的色彩、庞大和浮雕装饰。这一装饰为我们提供了俄罗斯传统建筑的原型，并结合了建筑群老建筑、新建筑和克里姆林宫之间的时空联系工具，从人行天桥上可以很容易地看到墙壁和塔楼。

There is no argument that the main frontage of the building is its North-Western part facing the Kadashevskaya embankment with its long front. This frontage becomes the main one not only for the new building of the Tretyakov Gallery, but for the museum quarter as a whole, city line of embankment development, one of the symbols of the city. The frontage has inherited colority, massiveness and relief decoration from the existing complex of the Tretyakov Gallery. This decoration refers us to the prototypes of the traditional Russian architecture and engages the tool of temporal and spatial link between the old buildings of the complex, the new buildings and the Kremlin which walls and towers can easily be seen from the pedestrian bridge.

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大规模象征着时间上的亲密音乐厅的曲线墙位于玻璃正面建筑的深处，在那里主要的动作发生在观众与艺术相遇的地方(我们建议这面墙应该是在旧莫斯科建筑物破碎时收集的砖块)。这三种工具-色彩、大规模和装饰-象征着经验、拯救、历史、过去和时间。

Massiveness symbolizes closeness - Storage in Time (the principle activity of the Gallery is collecting and storage of the collection), thus the “heavy” elements of the frontage include, besides the volume of the concert hall and the vertical of the staircase, the curvilinear wall of the concert hall located in the depth of the glass frontage building where the main action takes place where the viewer meets the Art (we would suggest that this wall should be made of bricks collected during the breakup of the old Moscow buildings). All these three tools - colority, massiveness and decoration - symbolize Experience, Saving, History, Past and Time.

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第二个重要的形象，主要正面是透明，空洞化，消失的反映改变的城市。透明象征着开放、无障碍，入口的平板玻璃强调，内街的半透明涂层用上光穿插、分割，同时又统一了构成的三大元素的空隙，从而展厅的曲线墙参与了正面的形成，虽然它位于建筑内部，因此，。这座建筑在保持完整的前提下，获得了更大面积的城市小区。

The second important image of the main frontage is Transparency, Hollowness, evanescence of Reflection of the altering city. Transparency symbolizes Openness, Accessibility which is emphasized with flat frontage glass of the entrance portal and translucent coating of the Inner street pierced with upper light, dividing and at the same time uniting Emptiness for the three massive elements of the composition, thus the curvilinear wall of the exhibition hall takes part in the forming of the frontage, though it is located inside the building, thus, the building obtains the more chambered scale of a city quarter without losing the integrity.

最后，主体正面的主要表面是由玻璃金字塔构成的复杂组成，其背后是主要的宝藏-艺术。这一珍宝位于“水晶箱”内，这对情侣象征着储存与展示、亲密与可及、沉重与轻盈、内外、季度与城市、过去与现在的和谐。

Finally the main surface of the main frontage is a complex composition made of glass pyramids and behind it is the main treasure - the Art. This treasure is located inside the “Crystal chest”, and this Couple symbolizes the harmony of Storage and Demonstration, Closeness and Accessibility, Heaviness and Lightness, Inner and External, Quarter and City, Past and Present.

建筑师论文-莫斯科-TOTEMENT-莫斯科，俄罗斯类别画廊团队Levon Ayrapetov，Valeriya Preobrazhenskaya，Egor Legkov，Julia Presniakova，Diana Grekova，Adelina Rivkins，Evgeniy Kostsov项目，2013年

Architects PAPER | TOTEMENT Location Moscow, Russia Category Gallery Team Levon Ayrapetov, Valeriya Preobrazhenskaya, Egor Legkov, Julia Presniakova, Diana Grekova, Adelina Rivkina, Evgeniy Kostsov Project Year 2013