Ílhavo Maritime Museum Extension ARX

2013-07-09 01:00
结构TAL PROJECTOS,Projectos,Erupos e Servi os de Engenharia LDA。电气和电信规划安全规划AT,Servi os de Engenharia Electrtécnica e Electrtrónica LDA。机械规划笔,Engenharia LDA项目。卫生规划Atelier 964客户
Structures TAL PROJECTOS, Projectos, Estudos e Serviços de Engenharia Lda. Electrical and Telecomunications Planning Security Planning AT, Serviços de Engenharia Electrotécnica e Electrónica Lda. Mechanical Planning PEN, Projectos de Engenharia Lda. Sanitary Planning Atelier 964 Client Ílhavo Municipality
 © Fernando Guerra | FG+SG
费尔南多·格拉
架构师提供的文本描述。鳕鱼水族馆连接了另外两座建筑物和设施,以及一个复杂的建筑群,围绕着海洋和捕鱼的主题。在这个不寻常的结构中,海洋博物馆是记忆的场所,水族馆是海洋生物的空间,而CIEMAR则安装在旧的翻新学校,是人类活动与海洋相连的研究中心。
Text description provided by the architects. The codfish aquarium connects two other buildings and sets and a complex built ensemble, united around the subjects of the sea and fishing. In this unusual structure, the Maritime Museum is the place of memory, the Aquarium the space for marine life and CIEMAR, installed in the old renovated school, the research center for the activities of man linked to the sea.
 © Fernando Guerra | FG+SG
费尔南多·格拉
在阐述这三个单元时,建筑物既是一个与环境相关的自主城市设备,也是一个公共空间,但它也是一条建筑路径,它以螺旋形的方式围绕着坦克,将博物馆与老学校连接起来。
In articulating these three units the building is both an autonomous urban equipment that relates to the context and defines a public space, but it is also a building-path, which develops in a spiral around the tank as it connects the Museum to the old school.
 Ground Floor Plan

                            
在零散的小房子的背景下,它是由这一城市家庭结构的间隙形成的,并建立了一个新的公共领域。但是在这样做的时候,它会分成两个水平重叠的物体,寻找一个过渡的尺度。在它提出的物质二元性中,白色混凝土体从地面出现,并为定义一个正方形奠定了基础。浮动的黑体金属鳞片决定了广场的高度,在公共城市重新定义为三维。
In a context of small scattered houses, it is shaped by the interstices of this urban domestic fabric and establishes a new public domain. But in doing so it breaks into two horizontally overlapping bodies searching for a scale of transition. In its proposed matter duality, the white concrete body emerges from the ground and sets the basis for defining a square. The floating black body of metal scales sets the height of the square, in a public urbanity redefined into three dimensions.
 © Fernando Guerra | FG+SG
费尔南多·格拉
在大楼的中心,我们找到了鱼和海。游客的路径是一条螺旋坡道,从悬挂在水箱上方开始的旅程,转变成一种逐渐发现的潜水方式,一种沉浸在鳕鱼栖息地的体验。这个非正式的礼堂,可以看到水族馆,标志着参观期间暂停,以沉思和了解这一物种的生命。
At the heart of the building we find the fish and the sea. The visitor’s path is a spiraling ramp, a journey that begins in suspension over the tank, to turn into a diving mode of gradual discovery, an experience of immersion in the cod habitat. The informal auditorium, with extensive visibility into the aquarium, marks a pause in the visit for contemplation and information about the life of this species.
 Longitudinal Section

                            
控制的所有技术部件都放在地下室,以保证所有生命维持系统的潜意识运作、海水的质量、空气温度的控制,甚至海洋博物馆的新储备。
All technical components of control are placed in the basement, guaranteeing a subliminal operation of all the life support systems, the quality of the seawater, the control of air temperature and even the new reserves of the Maritime Museum.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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