架构师提供的文本描述。费尔哈文海滩别墅位于维多利亚时代海岸线上的大洋大道上方的山脊线上。该网站享有南部海洋全景和冲浪海滩下面。这所房子绕着一个受保护的中央庭院，形成了一个室外空间，免受强风的侵袭。房子的形状是盘绕在院子里的。客厅的门和一个超大的滑动厨房窗户打开了，并在天气好的时候把它和房子合二为一。

Text description provided by the architects. The Fairhaven Beach House is located on top of the ridgeline above the Great Ocean Road on the Victorian coastline. The site enjoys panoramic views over the southern ocean and surf beach below. The house winds around a protected central courtyard, which creates an outdoor space sheltered from the harsh prevailing winds. The form of the house is coiled and stepped around the courtyard. The living area doors and an oversized sliding kitchen window open up and integrate it with the house proper during fine weather.

 © Trevor Mein

.Trevor Mein

从到达到看房子的空间旅行是经过编排的，以增加预期，然后到达主要的居住空间。当你跨过一个悬臂式的研究进入一个戏剧性的垂直进入空间时，你会敏锐地意识到沿着它的长度出现了一些扭曲和褶皱，使你转变成水平的生活空间。主窗孔径与海景的电影比例相匹配。

The spatial journey through the house from arrival to view is choreographed to increase anticipation before reaching the main living space. As you step beneath a cantilevered study into a dramatic vertical entry space, you become acutely aware of a number of twists and folds along its length that make the transformation into horizontal living space. The main window aperture matches the cinematic proportions of the ocean view.

 © Trevor Mein

.Trevor Mein

从物质上看，这座房子是一个绿色灰色的锌包层，因为它的寿命和自然的颜色，与灌木丛和茶树景观融为一体。与此相反，房子的内部是完全由木材(地板，墙壁，橱柜和天花板)组成的居住围护，其居民完全沉浸在里面。然后，人们的目光总是被吸引回未来的前景。

Materially the house is clad in a green-grey zinc cladding, for both its longevity and natural colouring that merges with the scrub and tea tree landscape. In contrast, the interior of the house is completely lined in timber (floors, walls, cabinetry and ceilings) to form an enclosure for living that its inhabitants become completely immersed within. The eye is then always drawn back to the outlook beyond.

 © Trevor Mein

.Trevor Mein

窗户的比例、方向和尺寸是根据特定的视图和揭示内部空间而量身定做的。设计过程是一个类似于场景的过程，将感官和空间体验结合在一起，构建居住在里面的剧场。

The proportions, orientation and dimensions of windows have been tailored to particular views and to reveal internal spaces. The design process has been one akin to scenography, bringing together sensory and spatial experiences to frame the theatre of inhabitation within.