© Leonardo Finotti

莱昂纳多·芬诺蒂

架构师提供的文本描述。新的莱姆画廊建于2011年，距原画廊两个街区之遥。这是对保罗·门德斯·达罗查和大都会建筑师设计的第一座建筑的重建，于2011年底拆除。除了复制原来的项目，它还增加了一个新的建筑物，一个9x9米宽的立方体，连接到主楼的上部的一座人行桥。

Text description provided by the architects. The new leme gallery was built in 2011 two blocks away from the original one. It is a reconstruction of the first building designed by Paulo Mendes da Rocha and Metro architects, demolished by the end of 2011. Beyond the reproduction of the original project, it was added a new building, a cube of 9x9 meters wide, connected to the main building by a footbridge on the upper floor.

这套新建筑是画廊业主与一家大型建筑公司谈判的结果，后者购买了旧画廊所在的整个街区，以建造一家商业企业。这是快速城市转型过程的一部分，这是圣保罗市的典型。

This new set of buildings is a result of the negotiation of the owner of the gallery with a big construction company who bought the whole block in which the old gallery was located to construct a commercial enterprise. This is part of the process of fast urban transformation, typical of the city of Sao Paulo.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

从许多备选方案中，决定最好的解决办法是重新设计同一个项目。除了是画廊的一个强大特色外，保持建筑原貌的想法还提供了一个机会，让我们来讨论保护建筑遗产的想法，建筑项目在建筑对象上的流行，以及创造一种意想不到的空间体验的可能性：考虑到拆除是在新建筑建成后发生的，这两个画廊都可以参观，一个接一个，相隔两个街区。考虑到这两座建筑在物理属性上都是如此独特，一种奇怪的似曾相识的效果自然发生了。

From many options, it was decided that the best solution was to remake the same project. Besides being a strong characteristic of the gallery, the idea of keeping the building as it was before was an opportunity to put up for discussion the ideas of preservation of the architectural patrimony, the prevalence of the project over the constructed object and to create a possibility of an unexpected spatial experience: considering that the demolishment took place after the conclusion of the new building, it was possible to visit both galleries, one after the other only two blocks apart. Having in mind that both buildings were so characteristic in their physical attributes, a curious deja-vu effect naturally happened.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

主楼和支座都是完全用钢筋混凝土建造的。目标是保持保罗·门德斯·达·罗查最初项目的形式和物质基础，包括在连接桥梁上，就像它是一种延续，从最初的数量增长。支撑建筑在地上有一个很大的藏品和一个新的展览室。通过桥梁和开放的露台，增加的空间与原设计中已经存在的空间之间的连接非常流畅。

Both main and support buildings are entirely built of reinforced concrete. The goal was to keep the same formal and material fundaments of the original project by Paulo Mendes da Rocha, including in the connecting bridge, as if it was a continuation, a growth from the original volume. The support building shelters a big collection on the upper pavement and a new exhibition room on the ground level. Through the bridge and the open patio, the connection between the added spaces and the spaces that already existed in the original design becames very fluid.

 1st Floor Plan

一楼图则

这个天井，由于决定把增加的空间与原来的空间区分开来，实际上是一个重要的表达场所，它证明了支撑建筑作为一种类型的概念的丰富性，即使不是后来创造出来的，作为一种补充。

This patio, which resulted from the decision of making the added spaces as a distinct body from the original one is actually an important place of articulation and proves the richness of the idea of the support building as a type, even if not created later, as an addition.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

支撑区域都集中在一个边带，使电气和液压装置的分配更容易。行政区域有天窗，座落在六到九米高的展览室之上，也有天窗，大楼用大钢门和玻璃封闭。

The support areas are all concentrated in a side strip, making the distribution of electrical and hydraulic installations easier. The administrative areas have skylight and windows and are located over the exhibition rooms, which have between six and nine meters tall, also with zenithal illumination.The building is closed with big steel doors and glass.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

Architects Metro Arquitetos Associados, Paulo Mendes da Rocha

Location Av. Valdemar Ferreira, 130 - Butantã, São Paulo - SP, Brazil

Category Gallery

Authors Paulo Medes da Rocha, Martin Corullon e Gustavo Cedroni, Anna Ferrari

Area 554.47 m2

Project Year 2012

Photographs Leonardo Finotti

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