架构师提供的文本描述。在过去十年里，布宜诺斯艾利斯市大都市区的许多较新的城市发展都源于创造可建造土地的文明行为。第二种做法是在这架新飞机上设计一条道路布局，这是一种与我们的城市传统背道而驰的秩序，是一种田园诗般的骑行，沿途展示了一批有意奢侈的物品，并加剧了独立性。

Text description provided by the architects. Many of the newer urban developments made in the last decade in the greater metropolitan area of the City of Buenos Aires, arise from the civilizing act of creating buildable land. The second act consists in creating a road layout, on top of this new plane, that orders itself in opposition to our urban tradition, an idyllic ride down an exhibit of objects of intentional luxury and exacerbated independence.

 Cortesía de Film Obras de Arquitectura

Cortesía de Fileobras de ArquArchtura

这个项目来自于颠倒典型的对象-景观关系，这种关系把房子理解为与世隔绝的避风港，同时拥有但同时也是外来的，而外部则是对象的观察平台。

This project comes from inverting the typical object-landscape relationship that understands the house as a refuge secluded from the outside, owned but at the same time foreign, and the exterior as an observation platform for the object.

 Cortesía de Film Obras de Arquitectura

Cortesía de Fileobras de ArquArchtura

一个棱镜，由于跨越了应用建筑条例所施加的限制和对建筑概要的体积方法，经历了一系列的操作，这些操作定义了场景的形状，建立了景物所建议的上下文关系。

A prism, resulting from crossing the application of restrictions imposed by building regulations and a volumetric approach to the architectural brief, undergoes a sequence of operations that, defining the shape, establish the contextual relationships that the scenery proposes.

 Cortesía de Film Obras de Arquitectura

Cortesía de Fileobras de ArquArchtura

中立性和密封性满足公共空间，因为房子显示自己是不受打扰的。建造所包含的空间，是由于操纵棱镜来捕捉拉普拉塔的视线，超出了财产的物理界限和邻居的干扰。抢占战略眼光，阐述不同方向，限定光线。垂直平面沿着它的三个水平参数将自己分割，当有风景的机会出现时，它会后退，导致功能分离和复杂的内部路径。水平平面是为了寻找一个垂直的空间整合，它起源于房屋内部，与自然景观形成了对比，形成了人工景观、观察平台。

Neutrality and hermeticity meet the public space, as the house manifests itself undisturbable. Construction of the contained space, as a result of manipulating the prism to capture the sights of the Río de la Plata beyond the physical limits of the property and the interference from the neighbors. Appropriation of strategic sights and exposition of the different orientations, qualifying light. The vertical plane segments itself along its three horizontal parameters, retreating when a scenic opportunity presents itself, resulting in functional segregation and a complex of interior paths. The horizontal planes are perforated in search of a vertical spatial integration that, originated from the interior of the house, emerges shaping and artificial landscape, platform of observation, in contrast with the natural one.

 First Floor Plan

一层平面图