架构师提供的文本描述。在竞技场媒体公司管理扩张的毁灭性动力之前，很难定义一个稳定的物理环境，这使得我们把建筑变成了一种现象，提供了出现、改造和被淘汰的能力。

Text description provided by the architects. The difficulty of defining a physical stable environment before the devastating dynamics of the managerial expansion of ARENA MEDIA company led us to turning the architecture into a phenomenon, providing it with the aptitude to appear, to transform and to be eliminated.

 © Javier Callejas

.Javier Callejas

设在马德里的Agencia de Medios媒体传播中心决定对其办事处进行改革，目标是双重目标：最大限度地为大批雇员提供住所，并为客户和大众媒体树立新的商业形象。解决像这个办公室这样复杂的项目的最初策略，大约有80名员工在不断地改变职能，这背离了在竞技场之间放置中介者的想法，就像桑德是广告商的管理者，而大众媒体发生在公司之间一样。

The Agencia de Medios Arena Media Communications in Madrid decided to carry out the reform of its offices with an objective double: to maximize the space to shelter a major number of employees and to establish a new commercial image towards the clients and mass media. The initial strategy to solve a program as complex as that of this office, with about eighty workers in continuous change of functions, departed from the idea of placing as mediators between(among) ARENA into an historical building, in the same way as Sand is the manager of advertisers and mass media happen between(among) companies.

 © Javier Callejas

.Javier Callejas

该功能计划要求消除走廊和基础设施，提供一个灵活的系统，依靠现有的装载墙作为空间容器。为此，我们把它组织成一个多价房间，我们把它命名为“竞技场室”。这是一个空间经销商的问题，福勒斯特或等待，为接待，为会议，为公司的投影和展览，咖啡和展示室，可以个性化取决于每一个客户。

The functional scheme prosecutes the elimination of corridors and places infrautilizados, offering a flexible system that rests(relies) on the existing walls of load as containers of space. For it we organized it round a polyvalent room, which we name " ARENA ROOM ". It is a question of an space distributor, forrest or wait, for receptions, formeeting, for projection and exhibitions of company, for coffee and for a Show-Room that can be personalized depending on every client.

 © Javier Callejas

.Javier Callejas

该项目在任何时候都充当两个现实的投影和间接投影平台：活动和现有建筑。办公室里所有必要的要素都是这样解决的：门、窗、天花板、土壤、通道、走廊。这种活动是通过人工光线投射的，通过关联的颜色，向其他人提供一些空间的信息，以及建筑复古项目的物理现实-跨越阴影或隐藏的纹理。结果的空间很难定义，因为它们的变化性质，没有角落或细节，允许识别碎片。门从字面上被认为是墙上的投影，而在另一个瞬间，它变成了一个关于会议的信息面板，在它后面进行；一大块墙在面纱中变换，让它可以看到法院窗户的阴影，在几秒钟后，它就会变黑，提供视频屏幕。

The project acts at all time as a sheet or a platform of projection and overhead projection of two realities: activity and existing building. All the necessary elements are solved this way in the office: doors, windows, ceilings, soils, accesses, corridors. The activity is projected by artificial light by associate colors, providing information of a few spaces to others, and the physical reality of the building retro - projects across shades or veiled textures. The resultant spaces are difficult to define due to their changeable character, without corners or details that allow to identify the fragments. A door is perceived literally as a projection in the wall, and in another moment it turns into a panel of information about the meeting that is carried out behind it; a chunk of wall transforms in veil, allowing to see the shade of the windows of the court that it conceals behind and in a few seconds it gets dark, offering as screen of video.