架构师提供的文本描述。这一切都是关于暑期住宅的项目，因为从一开始就有精确的程序条件：一个大客厅，连接到一个办公区；一个服务区，厨房里有便餐的空间；一个私人区域，有两个小卧室和一个套房，有一个内置的桑拿浴室；一个车库，有一个合并的车间空间；游泳池有一个巨大的日光浴室；明亮的室内空间在景观上开放；正式的清醒和有节制的预算也被要求。

Text description provided by the architects. It’s all about a project for a summer home, as a result of an order that from the beginning had precise conditions in terms of program: a big living room, connected to an office area; a service area with space for light meals attached to the kitchen; a private area with two small bedrooms and a suite with an incorporated sauna; a garage with an incorporated workshop space; a swimming pool with a big solarium; well illuminated interior spaces opened over the landscape; Formal soberness and a contained budget were also demanded.

 © FG+SG Fernando Guerra, Sérgio Guerra

(F)FG SG费尔南多·格拉、塞尔吉奥·格拉

其结果是一座奇异的房子：一卷规则的外观和紧凑的读数，标志着朝南和向西的大开口，朝北和向东的小开口，这是玻璃盒和白漆混凝土盒逻辑之间的冲突。在停车场西侧的一个小斜坡上，起居室开放在游泳池和日光浴室上方的一个露台上。客厅和卧室之间的隔开是由一个有盖的外部空间造成的，它可以看作是一个庭院，靠近露台，与大厅直接相连。

The result is a singular house: a volume of regular appearance and of compact reading, marked by big openings towards south and west e by small openings facing north and east, as a clash between the glass box and the white painted concrete box logic. Taking profit of a slight slope on the west side of the lot, the living room opens over a terrace unlevelled over the swimming pool and the solarium. The split between the living room and the bedrooms is made by a covered exterior space, which could be considered as a patio, near the terrace and in directly linked with the hall.

 © FG+SG Fernando Guerra, Sérgio Guerra

(F)FG SG费尔南多·格拉、塞尔吉奥·格拉

这幢房子在形式上显然是同时代的，它也是对住房现象和设想家庭空间的行为的一种认真和明智的审视。最后一项提案是个人领土的永久标志，这是从对这一项目的逻辑改进中得出的。通过共轭程序，地点和时间。

This house, being clearly contemporaneous in its formal approach, is also an attentive and sensible look over the housing phenomena and over the act of conceiving the domestic space. The final proposal, a permanent mark of a personal territory, appears from the logic refinement of this project. By conjugating program, place and time.

 © FG+SG Fernando Guerra, Sérgio Guerra

(F)FG SG费尔南多·格拉、塞尔吉奥·格拉

该节目，通过明确的意志，品味，习惯和生活经验，由客户透露。由此产生的空间适应了它的用户，而不是反过来。

The program, by the clear sense of will, of tastes, of habits and of living experiences revealed by the client. The resulting space adapted to its users and not the other way around.

 © FG+SG Fernando Guerra, Sérgio Guerra

(F)FG SG费尔南多·格拉、塞尔吉奥·格拉

这个地方，通过了解它被插入的地方：几公里外的海洋，在茂密的松林地区，被夏季房屋所发现，沿着扭曲的小径排列着(联合国)，在那里粗俗随处可见，伴随着新白话的依附。在这个“轨迹”里，到处都是高大的松树，房子的形状、质地和奢华的透光都与附近的建筑永远冲突，这是一个不同的标志，创造了一个新的地方。

The place, by understanding the landscape where it is inserted: a few kilometres from the sea, in a dense pine area, spotted by summer houses, (un)lined following twisting paths, where vulgarity prevails alongside a neo-vernacular adherence. In this “locus”, full of tall and slim pine trees, the presence of that house, which shapes, textures and extravagant transparencies are in permanent conflict with the nearby buildings, is a differenced sign, that invents a new place.

 © FG+SG Fernando Guerra, Sérgio Guerra

(F)FG SG费尔南多·格拉、塞尔吉奥·格拉

时间，通过减少到最小的形式e组成元素和二手材料。项目基础的采用与当时的规则相妥协。投影平面图和面的反复出现的主题是正方形，由开孔图显示。这一基本模块的重复或细分，没有成为一种痴迷的风险，与一系列项目决定有微妙的矛盾，这些决定界定了家庭用途和生活经验。正是空间组织的适当流动性决定了职能部门的不同，并界定了住宅内私人和公共“领地”之间的界限。门和走廊，经常使用在国内建筑，以限制移动和空调外观，这里取代了倒T形空间，是延伸到外部形成一个露台。

The time, by reducing to the minimum the formal e composition elements and used materials. The adoption of a project basis assumedly compromised with the contemporaneous rules. The recurring theme of projection plans and faces is the square, which is shown by the openings’ drawing. The duplication or subdivision of this base module, with no risk of becoming an obsession, is subtly contradicted by a series of project decisions, defining the domestic uses and living experiences. It’s the proper fluidness of space organization that differences the functional sectors and defines the boundaries between private and public “territory” within the house. Doors and corridors, frequently used on domestic architecture to circumscribe movements and conditioning looks, are here replaced by an inverted T-shaped space that is extended over the exterior forming a patio.

 © Patrick Monteiro

帕特里克·蒙泰罗

这种空间的双轴和凸性限制了起居室和卧室之间的流通，同时扩大了视觉营地，而不促进不谨慎或强迫亲密。通过在客厅和卧室的水平上使用大玻璃窗实现了室内和外部之间的物理和视觉连续性之间的关系，与对服务区域的亲密和不透明形成了对比，有助于理解和澄清这座房子的空间逻辑及其功能。

The double axial and convex condition of this space limits circulation between the living rooms and the bedrooms, at the same time, enlarges the visual camps without promoting indiscretions or forcing intimacy. The relations between the physical and visual continuity established between interior and exterior, achieved by the use of big glass windows on the living room and bedrooms’ level, contrast with the intimacy and opacity given to the service area and contribute to the comprehension and clarity of the space logic of this house and of its functionalities.

 Courtesy of Frederico Valsassina Arquitectos

弗雷德里科·瓦尔萨西纳·阿奎托斯提供