架构师提供的文本描述。附件扩大了巴拉拉特艺术馆的功能空间，创造了一个新的正面历史营地街和毗邻的广场阿尔弗雷德迪肯广场。该项目跨越公共大厅、走廊和乐队台的混合姿势，正式地和有计划地回忆当地的类型。

Text description provided by the architects. Annexe expands the Art Gallery of Ballarat function spaces, creating a new frontage to historic Camp Street and the adjoining plaza of Alfred Deakin Place. The project shifts across hybrid postures of public hall, verandah and bandstand, formally and programmatically recalling local typologies.

 © John Gollings

约翰·戈林斯

该项目将一个简单的“事件广场”简报转化为对现场和程序的灵活响应，为讲座、车间、安装和画廊功能提供了一个封闭的多用途空间。可操作的玻璃面板打开的正面为夏季开放，并将该项目转变为一个面向邻近广场的公共表演的乐队展台。

The project transforms a simple 'events marquee' brief into a flexible response to site and program providing an enclosed multi-purpose space for talks, workshops, installations and gallery functions. Operable glazed panels open the facade for summer openings and transform the project into a bandstand for public performances toward the adjacent plaza.

 © John Gollings

约翰·戈林斯

一幅调好的屋顶景观和漆好的木衬让人想起了巴拉拉特19世纪后房屋空间的屋顶形式，在那里，简陋的木质衬里、锯齿状的加装物与主要街道的宏伟立面形成鲜明对比。屋顶是一个由内到外运行的奇异的增强的水平平面，它定义了空间，同时强调了天花板和基座之间缩合的体积之间的框架视图。

A modulated roof scape and painted timber linings recall roof forms of Ballarat's 19th century back of house spaces where humble, timber lined, saw-toothed additions stand in contrast to the grand facades of the main streets. A singular augmented horizontal plane running inside to out, the roof defines the space while emphasising framed views across the condensed volume between ceiling and plinth.

 © John Gollings

约翰·戈林斯

立面为户外公共活动开放，非物质化的玻璃周边重新定位的内部与城市的环境，外角悬臂从两个圆形柱。三角篷标志着新的插入从警察巷的远端和形成间廊；阶梯座位形成一个舞台，并允许随意占据广场。

The facade opens for outdoor public events, de-materialising the glazed perimeter reorientates the interior to the urban context, with the outer corner cantilevering from two circular columns. Triangular awnings signal the new insertion from the distant end of Police Lane and form interstitial verandahs; stepped seating forms a stage and allows casual occupation of the plaza.

 © John Gollings

约翰·戈林斯

内部有目的雕塑，把体积向上铸造成四峰以上的基座。天窗结合垂直和倾斜边缘在不同的方向和规模，渠道在扩散的自然光。木材板的条纹图案在极端遮阳的边缘从实心变为开口。这个天花板表面延伸到存储墙的垂直面，容纳可操作的玻璃面板和服务。墙上的一个开口与天窗和框架保持一致-一个长椅座，揭示了主画廊的历史砖块。

Interiors are purposefully sculptural, casting the volume upward into four peaks above the plinth. Skylights combine perpendicular and inclined edges at varying orientation and scale, channelling in diffused natural light. A striated pattern of timber boards shifts from solid to open at the extreme awning edges. This ceiling surface extends across the vertical face of the storage wall, accommodating operable glazed panels and services. An opening in the wall aligns with the skylights and frames a long bench seat, revealing the historic brickwork of the main gallery.

 © John Gollings

约翰·戈林斯

声学主要是为说话而量身定做的。木材板之间有不同的空隙，通过隔声来调节声音。照明是集成到线型天花板设计与荧光灯插槽灯和展览照明轨道凹进。一个开放的编织窗帘完全包围了信封，以分散南方的眩光。它的特色是一条横向观察带，可以追溯19世纪城市和戈德菲尔德的历史视线。

Acoustics are tailored predominantly for speech. Varied gaps between timber boards modulate sound with acoustic insulation behind. Lighting is integrated into the linear ceiling design with fluorescent slot lights and exhibition lighting tracks recessed. An open weave curtain fully encloses the envelope to diffuse southern glare. It features a horizontal viewing strip retracing historic sightlines across the 19th century city and Goldfields.

 © John Gollings

约翰·戈林斯

在发现黄金之后，巴拉拉特在19世纪50年代成为了一个即时的帐篷城市。这个项目面向历史悠久的坎普街，在那里，政府士兵在悬崖顶上建立了一个营地，对下面的金矿区和矿工帐篷城进行监视。就在这个地方，骑兵们骑马去镇压1854年的尤里卡起义。巴拉拉特美术馆始建于1884年，是澳大利亚历史最悠久的地区美术馆。这一增加开放拥抱和重新接触的历史景观的19世纪50年代巴拉拉特金田，与全高度玻璃折叠，以呈现一条视线在整个城市基本上被遗忘。

Ballarat became an instant tent city in the 1850's after the discovery of gold. This project faces historic Camp Street, where government troopers established a camp on top of the escarpment to keep surveillance over the goldfields and miner's tent city below. It was from this location that the troopers rode out to quash the Eureka Rebellion of 1854. The Art Gallery of Ballarat, founded in 1884, is the oldest regional art gallery in Australia. This addition opens to embrace and re-engage with the historic views of the 1850s Ballarat goldfields, with full height glazing folding away to present a sight-line across the city largely forgotten.

 © John Gollings

约翰·戈林斯

设计沿着长期宽松的精神，一个精致的调色板粉末涂层钢，油漆木材，丁醇膜和青石铺路的耐用性和易于维护。信封采用周边封条、遮阳屏、双层玻璃、被动通风的屋顶空腔、节能照明、程序多样化和具有自然通风功能的潜力。

Designed along a long life loose fit ethos, a refined palette of powder-coated steel, painted timber, butynol membrane and bluestone paving were chosen for durability and ease of maintenance. The envelope employs perimeter seals, shade screens, double glazing, a passively ventilated roof cavity, as well as energy efficient lighting, programmatic versatility and the potential to naturally ventilate seasonal functions.

 © John Gollings

约翰·戈林斯

附件的设计目的是在结构上独立于现有的遗产清单画廊，并位于下面现有档案空间的混凝土挡土墙上。钢的选择是因为它的重量多功能性，快速装配和能力，准确地适应现有条件。两个可见的圆柱体完成了大部分的提升，在这两个点上支撑着一簇梁，支撑着屋顶和遮阳篷。

The Annexe is designed to be structurally independent of the existing heritage listed gallery and rest on the concrete retaining wall of the existing archival space immediately below. Steel was chosen for its lightweight versatility, rapid assembly and ability to be accurately tailored to the existing conditions. Two visible circular columns do the bulk of the lifting, supporting a cluster of beams at these two points, bearing the roof and awning.

 axonometric

自落成以来，这个适应性强的场馆举办了各种活动，从展览、社区讲习班和时装游行到地方政府会议。Annexe为Ballarat提供了一个“声明”，增加了公民和公共活动空间。

Since completion this adaptable venue has hosted a multitude of functions from exhibitions, community workshops and fashion parades to local government meetings. The Annexe provides Ballarat with a 'statement' civic addition and public event space.

 © John Gollings

约翰·戈林斯