该研究的目的是设计两个夏季住宅与客房，俯瞰大海和邻近的安蒂帕洛斯岛。位于地段最高点的住宅。庭院构成住宅的结合点。宽楼梯导致在大型观景“高原”着陆，穿越室内和室外空间。屋顶和中间庭院的种植得到加强。

 Purpose of the study is to design two summer homes with guest houses, overlooking the sea and neighboring island of Antiparos. The residences located on the highest point of the lot. The courtyards constitute the conjunctive element of residences. Wide stairs lead to landings in the large viewing "plateaus", traversing indoors and outdoors spaces. Planting is enhanced on roofs and intermediate yards.

 © Elias Chandelis

埃利亚斯·钱德尔利斯

在房屋的北面和南面，洞口只出现在庭院里。东侧以种植为主，有当地的植被和横向墙的景观。

In the north and south sides of houses openings only appear in courtyards. The east side is dominated by planting with local vegetation and the sight of the transverse walls.

 © Elias Chandelis

埃利亚斯·钱德尔利斯

整个设计程序的基本原则是：使用圆形景观中熟悉的墙壁元素的原型形式，有时用作限制，有时用作居住元素。适应环境，打破生活空间和自然空间之间的界限。建筑内部与庭院、通道和楼梯的整合。

The basic principles of the whole design procedure are: The use of the archetypal form of the wall element familiar in Cycladic landscape, sometimes used as a limit and sometimes as an element of habitation. Adaptation to the environment and dissolution of boundaries between lived and natural spaces. Integration of the interior of the building with the courtyards, the accesses and the stairs.

 © Elias Chandelis

埃利亚斯·钱德尔利斯

大体积的分裂和小的移动，创造庭院，遮住强风的北风。在院子里种桑树是为了遮荫。后院存在于整个工程中，通过大的洞口可以看到大海。以避免单一平面正面的设计。拉长的开口穿透横向墙壁，以设置景观和创造空间与视觉连续性。

The split of bigger volumes with small movements to create courtyards sheltered from the strong northerly winds. In the courtyards mulberries are planted to provide shade. Back yards exist through the whole project and through the large openings viewing to the sea is possible. To avoid the design of a single plane facade. Elongated openings piercing the transverse walls to set the sights and to create spaces with visual continuity.

 © Elias Chandelis

埃利亚斯·钱德尔利斯

创造一个完整的住宅建筑群，使自然景观保持完整，适应地势的坡度，使东侧几乎被掩埋。强烈循环光的使用。蓝色和强烈的阴影主导的观点，而移动槽墙，空间和景观。这座建筑被改造成一台观景机。

The creation of a residential complex which leaves intact the natural landscape and adapts to the slope of the plot, so that the east side is almost buried. The use of intense Cycladic light. Shades of blue and intense shadows dominate the views created while moving trough walls, spaces and landscape. The building is transformed into a viewing machine.

 © Elias Chandelis

埃利亚斯·钱德尔利斯