架构师提供的文本描述。竞赛指南要求建造一座宗教建筑群，用于礼拜活动和一座小修道院，以及建造一个用于慈善援助的餐厅。

Text description provided by the architects. The competition guidelines called for the construction of a religious complex for liturgical functions and a small monastery, as well as the construction of a dining hall for charitable assistance.

 © Leo Torri

利奥·托里

初步设计文件假设独立建筑为这两种活动-崇拜和协助-的目的是保持出入和内部流通分开。我们的建议在准则方面采取了不同的做法，根据西士特拉修道院的模式组织足迹，并将单一有机体中的功能与内部庭院/修道院结合起来。

The preliminary design document hypothesized independent buildings for the two activities – worship and assistance – with the goal of keeping access and internal circulation separate. Our proposal took a different approach with respect to the guidelines, organizing the footprint on the basis of the model of a Cistercian abbey and combining the functions in a single organism with an internal courtyard/cloister.

 facade exploded

正面爆炸

教堂和修道院的体积之间的联系，以及内部空隙的产生，虽然餐厅分开了，但允许更有效地使用这一区域，在教堂前面产生了一套大房子，这是一个专门为行人设置基调的地方，尽管建筑物的面积必然很小，一个礼拜的地方。

The connection between the church and the volume of the monastery, and the creation of an internal void, though with the separation of the dining hall, permitted use of the area in a much more efficient way, generating a large set-back in front of the church, a parvis exclusively for pedestrians that sets the tone, in spite of the necessarily small size of the building, of a place of worship.

 ground floor plan

只有行人才能进入大厅，车辆通道被堵住，这是通过建造一个内围护墙来实现的，该墙能够按照精确的出入仪式安排空间，同时使建筑群一侧的设计更加紧凑，这是从街道上看出来最多的正面。

The access to the parvis by pedestrians only and the blocking of vehicle access are achieved by the construction of an inner enclosure wall capable of ordering the spaces according to a precise ritual of access, while making the design more compact on the side of the complex, the facade most exposed and visible from the street.

这座建筑有一个金属框架，由金属板和木材组成的绝缘板组成。使用的颜色灰色和屋顶的设计代表了建筑的特点的体积。该项目的象征性方面出现在教堂立面的设计中，它激活了文艺复兴时期大教堂的典型装置，在那里，立面成为城市空间的引人注目的背景，只是偶尔与有效的建筑部分相联系。

The building has a metal framework enclosed by insulated panels of sheet metal and wood. The use of the color gray and the design of the roofing represent the architectural characteristics of the volume. The symbolic aspect of the project emerges in the design of the church facade, which activates the typical device of the Renaissance basilica, where the facade becomes a striking backdrop for the urban space, only occasionally in relation to the effective architectural section.

 © Leo Torri

利奥·托里

木质板条正面的构造使它成为一种纹理背景，能够在不同的阳光条件下全天表现出透明度和不透明度。

The construction of the facade in wooden slats makes it function as a sort of textured backdrop capable of expressing both transparency and opacity in different sunlight conditions throughout the day.

 © Leo Torri

利奥·托里