Architects: Robert Young Architects Project: Montauk Weekend Residence Principal in Charge: Robert Young Project Architect: John Buckley, Justin Blejer Team: Satoi Akimoto, Viktoria Rauter, Robert Deacon Location: Montauk, New York, United States Year 2017 Photography: Michael Moran

建筑师：罗伯特·杨建筑师项目：蒙托克周末住宅主管：罗伯特·杨项目建筑师：John Buckley，Justin Blejer团队：Satoi Akimoto，Viktoria Rauter，Robert Deacon Location：蒙托克，纽约，2017年美国年摄影：Michael Moran

An intrinsic connection to, and respect for, nature defines this Montauk weekend residence at every glance. The owners purchased two adjacent lots that were sold as one, a rarity to find in the area. Yet instead of building one oversized house, RYA created two separate structures — a main house and a guest house/garage — on the property. This leaves space in the middle, creating an unobtrusive scale and an overall feel that’s the opposite of a garish mansion.

一种与自然的内在联系，以及对自然的尊重，决定了蒙托克周末住宅的每一个一目了然。业主购买了两个相邻的地块作为一个出售，这是一个罕见的发现在该地区。然而，RYA没有建造一座超大的房子，而是在房产上建造了两座独立的建筑-一栋主楼和一间客房/车库。这留下了空间的中间，创造了一个不引人注目的规模和整体感觉，这是相反的一个华丽的豪宅。

The two buildings are laid out to position each living space, whether indoors or out, to maximize the views and capture the summer sun and breezes. Lake Montauk is the main event, but not the only one: Secondary, more sheltered spaces offer cozy contrast to the wide-open water views. The main living spaces are placed close to the ground, with only glass and oversized sliding doors dividing indoors and out, providing a stage for informal indoor/outdoor living. Re-vegetated native shoreline plantings planted between the house and the water, instead of a traditional lawn, strengthen the dialog between the built and natural environment.

这两座建筑被布置成每个居住空间的位置，无论是室内还是室外，以最大限度地欣赏景色，捕捉夏日的阳光和微风。蒙托克湖是主要的活动，但并不是唯一的：次要的，更隐蔽的空间提供了舒适的对比，广泛开放的水景。主要的居住空间被放置在靠近地面的地方，只有玻璃和超大的滑动门在室内和室外分开，为非正式的室内/室外生活提供了一个舞台。在房屋和水之间重新种植植被的本土海岸线植物，而不是传统的草坪，加强了建筑和自然环境之间的对话。

While the main house’s living spaces are nestled within the landscape, the three guest bedrooms sit over the garage/boathouse, with panoramic northern and western vistas from up high, contrasting with those offered by the main house.

虽然主住宅的起居空间位于景观内，但三间客房位于车库/船屋的上方，从高处俯瞰南北全景，与主屋的景观形成鲜明对比。

Despite those varying experiences, one factor keeps everything cohesive: materials. Natural materials were selected with an eye to how they’ll develop over time. Wide, rough-sawn cedar planks on the exteriors are left untreated to let the sun bleach them out to the silvery hue of driftwood; raw zinc roofs will also develop a mottled patina in time; and solid bronze hardware will stand up to the marine environment with little care and will become more beautiful with time and use.

尽管有这些不同的经历，但有一个因素保持了所有事物的凝聚力：材料。自然材料的选择着眼于它们将如何随着时间的推移而发展。外面宽阔粗糙的雪松板不经过处理，让太阳把它们漂白成浮木的银色色调；原始的锌屋顶也会及时形成斑驳的薄片；坚固的青铜五金将在不太在意的情况下经得起海洋环境的考验，随着时间的推移和使用，会变得更加美丽。

Inside, there’s an interplay of modern and rustic: An exposed structural steel frame spans large expanses of energy-efficient solar glass, adding a feeling of lightness while supporting a series of heavy solid wood roof trusses, painted white. The neutral palette of whites and bleached woods with dark accents makes for an aesthetic that’s at once serene and active. And a subtle-yet-powerful play of textures — from the smooth and rough painted wood planks, to handmade Moroccan tiles, to floors made of European white oak and finished to look as raw as possible — underscore the interplay of architecture and nature.

在里面，有一个现代和乡村的相互作用：一个暴露的结构钢框架跨越大面积的节能太阳能玻璃，增加了一种轻盈的感觉，同时支持一系列沉重的实木屋顶桁架，漆成白色。带有深色口音的白色和漂白木材的中性调色板使其具有一种既平静又活跃的美学。从光滑粗糙的木板，到手工制作的摩洛哥瓷砖，再到欧洲白橡木制成的地板，再到看起来尽可能粗糙的地板，一种微妙而又强大的纹理-突显出建筑与自然的相互作用。