Architects: Ian MacDonald Architect Project: Four-Season Family Cabin Location: Ontario, Canada Photographer: Courtesy of Ian MacDonald

建筑师：伊恩麦克唐纳建筑师项目：四季家庭小屋地点：安大略省，加拿大摄影师：伊恩麦克唐纳提供

This four-season family cabin is a response to the cultural heritage landscape of Go Home Bay, an enclave of Ontario’s Georgian Bay archipelago. An area immortalized by the Group of Seven with rocky outcroppings populated by white pines shaped by the west winds, the structure respects the landscape by disappearing within it.

这间四季家庭小屋是对安大略省格鲁吉亚湾群岛飞地Go Home Bay的文化遗产景观的回应。七国集团(G7)永久化的一个地区，由西风塑造的白松组成的岩石露头，该建筑通过在其内部消失来尊重景观。

Accessible only by water, the property’s mature trees fragment their views of the low-slung volume. It is only as visitors climb up from the dock through a juniper meadow, surrounded by tall white pines, that they see the building clearly as a charcoal-coloured cedar shingle box. The lightness on the land is instantly evident in the construction: a form cantilevered off concrete piers so that it floats over a whaleback outcropping of granite.

只有通过水，物业的成熟树木碎片他们的看法低吊舱体积。只有当游客们从码头爬上一片郁郁葱葱的草地，周围是高大的白松时，他们才能清楚地看到这座建筑就像一个木炭色的雪松箱。这片土地上的轻盈在建筑中立刻显现出来：一种形式的悬臂从混凝土桥墩上悬挑出来，使它漂浮在一条长出花岗岩的鲸鱼背上。

The carefully sequenced interior spaces underscore a rich connection to the landscape. Entering into a simple vestibule from the south deck, visitors’ views are largely withheld to delay and therefore intensify their effect. Visitors then pass into the long kitchen, which doubles as a corridor along the back of the cabin, connecting the principal areas and ending in a cozy window seat complete with a woodstove and views to the extensive forest behind. This space serves as counterpoint to the big water views in the adjacent main room where some 42 linear feet of windows look west toward the open Go Home Bay channel. Here, the ground plane drops out of view, and the short middle ground is lost. This obscuring engages the visitor’s imagination, resulting in a more idealized perception of the scale and drama of the landscape, which ultimately defines one’s memory of the place.

精心排列的室内空间强调了与景观的丰富联系。进入一个简单的前厅从南甲板，游客的意见大部分被拒绝，以延迟，因此加强他们的效果。然后，游客们进入了长长的厨房，这是一条沿着船舱后部的走廊，连接着主要区域，最后是一个舒适的靠窗座位，里面有一个木炉，可以看到后面广阔的森林。这一空间作为对立面，在毗邻的主要房间的大水景，大约42英尺的窗户向西看向开放的回家湾通道。在这里，地面平面消失在视野之外，中间的短地面消失了。这种模糊吸引了游客的想象力，导致了对景观的规模和戏剧性的更理想化的感觉，这最终决定了一个人对这个地方的记忆。