Crowd. 4., by Julian Opie

When Studio Swine’s ‘breathing’ sculpture first huffed and puffed into life at Eden Project in 2017, it put the Cornwall institution on the map as a budding destination for contemporary art. Since then its collection has come into full bloom, most recently with new sculptural additions by Ryan Gander and Jenny Kendler, installed in the grounds alongside works from Julian Opie and Tim Shaw that arrived earlier in the year and a sound piece by Hayden Dunham.

当工作室 Swine 的“呼吸雕塑”在 2017 年首次在伊甸园项目中怒放并融入生活时，它将康沃尔学院作为当代艺术的萌芽目的地。 从那时起，它的收藏品开始盛开，最近由瑞安·甘德和珍妮·肯德勒 (Jenny Kendler) 添加了新的雕塑，与朱利安·奥皮(JulianOpie) 和蒂姆·肖(Tim Shaw) 的作品一起安装在场地上，后者于今年早些时候面世，海登·邓纳姆(Hayden Dunham) 的一幅声音作品。

The Grimshaw Architects-designed Biome buildings form the backdrop to a site-specific work by Opie, who has created monolithic video ‘monument to the crowd’. Elsewhere on the grounds, Kendler’s 40ft-long sculpture Birds Watching – first commissioned for Storm King in New York and newly adapted for Eden Project – comprises a 100-strong ‘flock’ of reflective birds’ eyes mounted on aluminium, while Ryan Gander’s marble fountain, fashioned in the likeness of his wife Rebecca, playfully spits water at passersby.

格里姆肖建筑师-设计的生物群落建筑构成了一个具体的现场工作的背景由奥皮，谁创造了单一的视频“纪念碑的人群”。在场地的其他地方，肯德勒的40英尺长的雕塑“观鸟”-最初是为纽约的暴风王(Storm King)设计的，最近改编为“伊甸园计划”(Eden Project)-由一群100人的反光鸟组成，眼睛盯着铝质，而瑞安·甘德(Ryan Gander)的大理石喷泉与妻子丽贝卡(Rebecca)相似，开玩笑地向路人喷水。

Coinciding with the unveiling of Eden’s permanent installations is a temporary exhibition that explores the relationship between artificial intelligence and creativity through the lens of five artists inspired by nature. The results are diverse and thought-provoking, from the parallels drawn between the European ‘tulipmania’ of the 1630s and modern-day cryptocurrency speculation (care of British artist Anna Ridler), to Jon McMcCormack’s algorithm-generated plant images formed from the graphic elements of oil company logos.

与伊甸园永久装置揭幕的同时，是一个临时展览，通过五位受自然启发的艺术家的镜头，探讨人工智能与创造力之间的关系。研究结果多种多样，发人深省，从16世纪30年代欧洲的“郁金香”和现代密码货币投机(由英国艺术家安娜·里德勒(Anna Ridler)照管)，到乔恩·麦考马克(Jon McCormack)的算法生成的植物图像，这些图像都是由石油公司标识的图形元素形成的。

Nestled in a former china clay pit, the Eden Project has provided a gateway to the natural world since 2001. Recent efforts by the Eden Trust have focused on diversifying the charity’s cultural programme that has seen several international music acts perform at the site over the years. Now, bolstered by a formal commitment to a new arts strategy, senior curator Misha Curson – previously of the Cass Sculpture Foundation – will ensure that Eden Project’s artistic programming has a clear vision for the future. §

伊甸园项目坐落在中国的前泥坑，自2001年起，为自然界提供了通往自然世界的大门。伊甸园信托最近作出的努力侧重于使慈善组织的文化方案多样化，这在多年来在该网站上看到了若干国际音乐行为。现在，通过对新艺术战略的正式承诺的支持，高级馆长米沙·库森（MishaCurson）（以前是CASS雕塑基金会）将确保伊甸园项目的艺术规划对未来具有清晰的视野。?

雇用女主人.。这是一个法国的东西，2015年，瑞安甘德雇用的情妇.这是一个法国的东西，2015年，瑞安甘德

Bloemenveling，2019年，Anna Ridler Bloemenveling，2019年，Anna Ridle

2012年，由JonMcCormack第五姐妹，2012年，JonMcCormack