Optiek Herpol wanted to move to a better, more central location with plenty of parking space. A property that complied with these conditions was found on the Market in Deinze, and JUMA architects were subsequently asked to design a new interior for the store. The property in question is very deep and narrow with little natural light entry. JUMA set to work despite these constraints in an attempt to transform these challenges into qualities. The architects positioned the sales counter right behind the shop window, so as to make optimum use of the available natural light. This also makes store activities visible from the outside, adding an extra element of attraction. At the narrowest section of the store, a large wall mirror was put in to visually double the space.
OptiekHerpol想要移动到一个更好、更中心的位置，有足够的停车位。在Deinze的市场上发现了符合这些条件的财产，随后要求Juma的建筑师为商店设计一个新的内部。所讨论的性质是非常深的和狭窄的，几乎没有自然光进入。尽管这些制约因素试图将这些挑战转化为品质，但Juma仍在努力工作。建筑师把销售柜台放在商店橱窗后面，以便充分利用现有的自然光。这也使得商店活动从外部可见，增加了吸引的额外元素。在商店的最窄部分，放置了一个大的墙壁镜子，以便在视觉上加倍空间。

The wall onto which the eyeglasses are displayed is located opposite the mirror and is literally the eye catcher in the store. A wooden lattice makes for an interesting play of diagonal lines behind which the glasses are presented. This unique concept animates the entire store without detracting from the fact that the glasses should remain the main focal point in the store. The workshop is located in the back, separated from the store by a wall in smoked grey glass. In this way, the optician can keep an eye on the store at all times.
眼镜被显示在其上的壁位于镜子的对面,并且实际上是商店中的眼睛捕捉器。木制的格子形成了一个有趣的对角线线条，眼镜在后面呈现。这种独特的概念在不损害眼镜应该保持在商店中的主要焦点的事实的情况下对整个商店进行动画制作。该车间位于背面，由烟熏灰色玻璃中的墙与商店分开。这样，眼镜师可以随时将眼睛保持在商店上。

The colour palette is predominantly white, to keep the interior as light as possible. As a counterpoint, warm wood accents are added. The chairs at the counter are upholstered in a colour that harmonizes perfectly with the wood.
颜色调色板主要是白色的，以尽可能保持内部的光。作为一个平衡点，增加了温暖的木材口音。柜台上的椅子是以与木材完美和谐的颜色装饰的。

Pictures © Annick Vernimmen
图片(安妮克·维尼曼)