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『水的形狀來自承載容器，以無垠想像適應環境變化。』

The shape of the water comes from thecarrying vessel, adapted to the changing environment by the infiniteimagination.

素有「北上海」之称的海门，位处江海门户之界的地理条件使其同样具有揉杂中西文化的殖民地风貌，它的建筑、生活器物与上海一样带着20世纪不同时代讲究的时髦华贵，却推演得更缓慢，更容易触及连结过去的时代牵绊。

Haimen, known as North Shanghai, is located at the gateway of the river and sea, so it also has the colonial style of blending Chinese and Western cultures. Its buildings and living utensils, like Shanghai, are fashionable and luxurious in different eras of the 20th century, but the development is slower and easier to touch the ties between the past era.

除去旧有的中式雕饰细节，以简化的现代式线条改变中国式的建筑语汇

Remove the old Chinese carving details, and change the Chinese architectural vocabulary with simplified modern lines

赋予观者不同帷度的光源享受，也使材质的肌理表现更为显著

Give the light source with different valance to the viewer to enjoy, also make the texture of the material more significant performance

材质表面的肌理更容易在天光中展现天然而纯粹的美感力道，不需要过多漆饰雕琢，让立面的量感自然烘托出材质本色。自然光影之下，物的表面呈现的触感往往能引发更多想像。

The texture of the material surface is easier to show the pure aesthetic power of the day in the light of the sky. It does not need too much lacquer decoration, so that the volume of the facade can naturally highlight the natural quality of the material. Under natural light and shadow, the tactile sensation presented on the surface of objects can often trigger more imagination.