Vaust
Rosenthaler 69








Rosenthaler 69从一张1907年夏威夷渔民的照片获得灵感。一个男人坐在岩石上，赤裸着上身，手上是他谋生的工具。我们十分欣赏这种画面。


A photograph of a Hawaiian fisherman from the year 1907 functions as a role model and gave inspiration for the concept. A man sitting on a rock with just the very essential bit of clothing on his body is preparing his gear to go out and hunt. We appreciate the intimacy, the balance and honesty of this situation.

餐厅传达了亲密的理念。两张弯曲的混凝土桌子相互吸引，成了用餐区的核心。受到渔夫的启发，从挪威切下的花岗岩和木桩制成了餐桌和餐椅。桌子表面粗糙而舒适，给人一种水磨石的感觉。不同颜色的巨石为室内增添了自然和温暖的色调。



The guest room transports the idea of an intimate and meaningful experience. Two curvy concrete tables who compliment each other capture the rooms center attention. Inspired by the fisherman, cut off granite stones from Norway and wooden stumps present the possibility to take a seat. The table has a rough yet pleasant surface and gives the idea of a terrazzo structure. Boulders of different colour ways add a natural and warm color palette to the interior.

地板和墙壁采用暖色调，营造出自然朴实的氛围。门窗系统由铝制成，亚麻窗帘柔和划分空间，完成座椅的布置。


The floor and wall plastering pick up the warm tones and give a natural and earthy atmosphere. Linen curtains with a bespoke hanging system, made of aluminum, complete the seating situation gently.

空间悬挂着石头是餐厅企业形象的一部分，在餐厅最显眼的地方。手工混凝土与不锈钢厨房柜台齐头并进，通过使用巨型玻璃将厨房与用餐区隔开。



A stone, which is part of the restaurants corporate identity, slowly spins in the window at the most prominent place of the restaurant. Hand-crafted concrete applications with a rough texture go hand in hand with stainless steel kitchen counters which are separated from the guest room through a large glass.

Vaust
WB SERIES





偶尔穿过柏林时，城市景观会被巨大的混凝土建筑侵蚀。这是以野蛮主义为代表的建筑物。“它是 je-men-foutisme，充满野蛮主义的特征和血腥思想。” 这些定义了城市氛围的建筑总是与其他建筑不同。随着其独特性，混凝土成为当今谈论室内美学不可避免的话题。



When striving through Berlin every once in a while the cityscape is slightly disrupted by gigantic concrete monsters. Buildings stored under the name of brutalism. „What characterises the Brutalism…is precisely its brutality , it’s je-m’en-foutisme, its bloody-mindedness.“ Says Reyner Banham around 1955 describing the phenomenon which is drawing our attention to the fullest. Regarding to his quote these buildings, who partly define the cities vibe, were always different than others. Along with their unique formal language and composition of volumes comes a certain imperfection, a topic which is quite en vogue when speaking about interior aesthetics these days.

仔细观察这种不同的建筑，我们偶然发现了一种非常独特且令人着迷的建筑材料，称为Exposed Aggregate Concrete。在取下建筑部件的模具后，只需洗掉一层薄薄的混凝土，暴露的材料就会显示出砾石，它将混凝土固定在一起。可以通过更改混凝土配方来调整成品。


Taking a closer look at the composition of this different way of creating architecture we stumbled upon a very distinctively characterizing and mesmerizing building material called exposed aggregate concrete. By simply washing out a thin layer of concrete after taking off the mould of building parts the exposed material shows the gravel, which is holding the concrete together. The artificially generated result can be adjusted by changing the concretes recipe.

Vaust深入研究了这个话题，并创建了系列产品，以表达对美学的看法。受到柏林野兽派建筑形式的启发，以工作室为驱动，开发了七件产品。它们展示了形式上的简单性，对材料的强烈关注以及对比例的独特诠释。暴露的骨料混凝土与铝结合在一起，有些作品简单地由纯金属组成，或者在将块状的砾石悬挂于空中。Waschbeton系列是为几乎被遗忘材料的复兴。这是Vaust向生活和热爱的城市致敬。


We deep dived into this topic and created our very own personal formula to get to our perception of aesthetic interpretation. Inspired by the formal language of Berlin’s brutalist architecture and driven by our studio’s aesthetics we developed a series of seven interior objects. They demonstrate simplicity in form with a strong focus on material and a unique interpretation of proportion and material composition. Exposed aggregate concrete is put in context with carefully brushed and waxed aluminum as they create a unit. Some pieces celebrate the material as they simply consist either of pure metal translated into a soothing formal language or paying an homage to nature when giving bigger gravel pieces a stage as a ceiling hanging object. The Waschbeton series is our attempt to give a nearly forgotten and repelled material a new renaissance. It is our answer to paying tribute to the city we live and love.







01
SIDE TABLE

尺寸：53厘米ø 40厘米
主材：Dimensions、Washed Aggregate Concrete、Botticino Marbel Gravels、Solid Aluminium Disc

02
PIN SCULPTURE


尺寸：ø 25cm

主材：Dimensions、Washed Aggregate Concrete

03
FLOOR VASE


尺寸：H 82cm ø 22cm

主材：Dimensions、Washed Aggregate Concrete、Botticino Marbel Gravels、Solid Aluminium Element

04
PIN SCULPTURE


尺寸：H 33cm ø 6cm

主材：Dimensions、Handmade Mould Stone、Solid Aluminium Bar

05
INCENSE
BURNER

尺寸：H 35cm ø 26cm
主材：Dimensions、Washed Aggregate Concrete、Handmade Mould Stone、Solid Aluminium Disc

06
PENDULUM
SCULPTURE


尺寸：H 22cm x W 20cm x L 28cm
主材：Dimensions、Handmade Mould Stone、Stainless Steel Cable

07

RING SCULPTURE



尺寸：H 6cm ø 18cm
主材：Dimensions、Solid Aluminium RING

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