Studio Gabriel Bordin

我们相信建筑和城市生活的实践，唤起极简主义、玩乐、沉思、自然和生活质量;我们相信通过人的视角来开发项目，利用个人的物质、历史和情感条件并从中获得灵感。

We believe in the exercise of architecture and urbanism of living, which evokes minimalism, playfulness, contemplation, nature and quality of life; We believe in projects developed through the human perspective, taking advantage of and inspiration from the physical, historical and emotional conditions of the individual.

幽玄是日本传统美学的一个重要概念，它是一种深度的表达，是一种无法翻译的东西，是一种从哲学传递到艺术的难以理解和抽象的东西。

Yugen, an important concept of traditional Japanese aesthetics, is an expression of depth, of what cannot be translated, of the incomprehensible and abstract that passes from philosophy to art.

通过对比产生的光的影子与间隔windows和厨房的照明表面,通过隐藏的景观,最终揭示了本身,Casa Yugen使非语言邀请空间,你可以看到宇宙的神秘之美和人类状况。

By contrasting the shadow with the intervals of light produced by the windows and the illuminated surface of the kitchen, through the hidden landscape that eventually reveals itself, Casa Yugen makes a non-verbal invitation to the space where you can glimpse the beauty of the mystery of the universe and our human condition.

长窗前的水镜映照出仿佛漂浮的宏观盆景和白昼的天空。纹理和自然光变化非常明显，在白天创造了阳光和水的纹理。

The water mirror in front of the long windows reflects the macro bonsai that seem to float and the day sky. The texture and natural light vary very markedly, creating a new landscape with textures of sun and water throughout the days.

明暗对比作为一种玩弄概念的方式，其中元素被突出、隐藏和模仿在表面上，以一种玩弄作品的主角的方式;在客厅里，沙发和茶几与地毯融为一体，地毯与地板融为一体。

The chiaroscuro as a way of playing with the concept, in which elements are highlighted, hidden and mimicked on the surfaces, in a way that plays with the protagonism of the pieces; in the living room the sofa and coffee table merge with the rug that merges into the floor.

入口大厅的弧形墙壁，以其形状和色调，在凹侧创造了一个无限的“平面”，隐藏了景观。关于神秘，关于对比，关于逐渐显露出来的风景。从环境内部看，墙壁也创造了一个中轴，以一种有机的方式展现了没有角落的社会区域。

The curved wall of the entrance hall, with its shape and tonality, creates an infinite “plane” on the concave side, which hides the landscape. of the mystery,of the contrast, of the landscape that reveals itself little by little. The wall also, when viewed from within the environment, creates a central axis that unfolds the social area without corners, in an organic way.

在“L”平面空间的所有角落里相互作用。André Gippi的Ramona扶手椅以不同寻常的方式放置，与客厅交流，而客厅面向前厅和厨房/餐厅。

In all corners of the L plan spaces interact. The unusual way in which André Gippis Ramona armchair was positioned, communicates with the living room, while the living room opens onto the anteroom and the kitchen/dining room.

融入环境的深色墙壁勾勒出明亮的窗户、鲁本斯·奥斯特罗姆(Rubens Oestroem)的画作、厨房、家具、装饰、地板和天花板、天空和大地。

The dark walls that embrace the environment frame the lighted windows, the painting by Rubens Oestroem, the kitchen, the furniture, the decoration, the floor and the ceiling, the sky and the earth.

版权 ：Studio Gabriel Bordin