探索事物于不同角度的发散认知，

Explore the divergent cognition of things from different angles,in a relatively flat way.

来阐述其内在诸多的复杂可能性,挖掘更多不同的生活方式探讨和对人性的再思考,让空间更具可考究及情感共鸣的建立...

To elaborate its many complex possibilities, explore more different ways of life and rethink human nature, so that the space can be more tractable and the establishment of emotional resonance...

以作为结合双向（物质与精神领域）的固量诉求来求变更为自然的状态发生，其所连接的断层位衔接，也正是该项目出发点的思考过程。

It occurs in a more natural state of change as a combination of bidirectional (material and spiritual) demand for solids, and the connection between the fault is also the starting point of the thinking process of the project.

“ 于空间的留白而促就的行为多样性产生，且会错乱对‘使用及常态’乃至更多元化的被定义，二次的属性附加交由该使用者来延续并赋予。”

The diversity of behavior generated by the blank space, and will confuse the definition of use and normality and even more diversified, quadratic attributes attached to the user to continue and give.

以‘门扇’作为承启相邻的界面关系，来连接公区与私密区域的互通常态，开合的方式同时也是打开多元起居模式的维系层面。

The door fan is used as the interface relationship between adjacent areas to connect the normal communication between public and private areas. The way of opening and closing is also the maintenance level of opening multiple living modes.

▲吊灯局部细节图 | CHANDELIER LOCAL DETAILS

强化竖向切割的形式，通过‘有隔离’的方式来显隐出现在空间当中的阶段性静止画面，再对应捕捉视野定点的常态发生。

The form of vertical cutting is strengthened, and the phased still picture appearing in the space is revealed and hidden by the way of isolation, and then the normal occurrence of the fixed point in the field of view is captured accordingly.

剥离‘套件组合’的完整性，让‘物件’作为外置的视角转换点，以个体存在的方式来重组其置于空间当中的呈现，再简化其形式的对外。

The integrity of the kit combination is stripped away, and the object is used as an external perspective transition point to reorganize its presentation in the space in the way of individual existence, and then the external form is simplified.

应该是呼应心境的内向写照，而不再是循规后的形式产物，放开对于界限的强制定位，以及对于关系的捕捉，使其消隐的同时却内藏关联性。

It should be an introverted portrayal that echoes the mood, rather than a formal product after following the rules. It should release the mandatory positioning of boundaries and the capture of relationships, so that it can hide the relevance while disappearing.

Before the order

在与业主沟通之初，如何在确立格局的情况下，保证空间的视野开敞度，以及在对于转换空间区域的层面，如何做到可独立可开放的模式也是必须要考虑的点位，诸如种种的处理方式，让讨论的过程，更趋于后端的物件组合方式，包括后期的家私组合带来的随性机制，也在侧面烘托空间的氛围关系。

At the beginning of the communication with the owner, how to establish the pattern of the cases, guarantee the space view open degree, and in the region for transforming space level, how to do can be independent can open mode also must be considered, such as a variety of ways of dealing with, to discuss the process, tend to be more back-end objects combinations, including the late furniture combination along with the gender of the mechanism, It also sets off the atmosphere of the space on the side.

▲ 轴侧图 | AXIAL SIDE DIAGRAM

▲radiofonografo rr226

fo-st nocecanaletto

PRIMO是不可错过的收藏品，在世界上独一无二，是卡斯蒂廖尼兄弟在1965年想象的放射性产品的名称。今天，它以限量发行100件的作品重新提出，作为对意大利艺术和工业设计（世界上最重要的）的非凡致敬，也是对BRIONVEGA最具标志性的作品之一的非凡致敬，能够为地球上每个地方最受崇拜的环境提供音乐。

PRIMO is an unmissable collectible, unique in the world, the name of the radioactive product imagined by the Castiglioni brothers in 1965. Today it is represented in a limited release of 100 pieces as an extraordinary tribute to Italian art and industrial design (the most important in the world), and to one of BRIONVEGAs most iconic works, capable of providing music to the most venerated environments in every place on Earth.

▲项目视频©汪维VC WANG

特别有价值的是胡桃木，它的特点是其美学外观，为携带叶绿素的内部通道定义通道，并以明显的巧克力色为特征，有时以紫色条纹为特征。甚至它的矿脉和火焰的选择也不是随机的，而是被选择的，而不是彼此相等的，以欢迎和融合自然本身提供的路径和寓言，在只有木材才能提供的非凡美的解决方案中，总是不同和独特的。

Particularly valuable is walnut, which is characterized by its aesthetic appearance, defining channels for internal channels carrying chlorophyll, and characterized by a distinct chocolate color, sometimes with purple streaks. Even the choice of its veins and flames is not random but chosen, rather than equal to each other, to welcome and fuse the paths and allegories offered by nature itself, always different and unique in the solutions of extraordinary beauty that only wood can provide.

通过单扇推门的方式来连接转换区，双向推门借助材质的区分来呼应其对应的用材属性，一开一合之间来连接不同空间属性下的更多组合可能性，考虑业主多为独居状态，在前期的沟通定位上，也放开了对于彻底独立的空间属性，更希望空间联通后的开敞度。

Single push door ways to connect conversion zone, two-way push door with the help of the distinction between material to echo the corresponding material properties, a open close to connect between possibility more combinations of different spatial properties, considering the owner for the solitary state, on the previous communication positioning, also let go of the full independence for spatial properties, more hope space unicom after open degree.

由‘组织’来作为空间脉络切入的前提，顺以单区的划分，完善功能体系的外拓，模拟情景常态后的人居生活方式。

With organization as the premise of space vein entry, follow the division of single area, improve the extension of functional system, simulate the living style after the normal situation.

以独立块的形式来间隔区域的划分，地面的同材质属性来呼应开合状态下的地材延伸的整体性，以此来作为环绕动线的组织。

Separate areas are divided in the form of independent blocks, and the same material properties of the ground echo the integrity of the extension of the ground material in the opening and closing state, thus serving as the organization around the moving line.

光影投过门窗的折射所倒影而出的变化轨迹，也在诉说着不同时段下的痕迹记录。

Light and shadow cast the reflection of the Windows and doors of the change track, but also tell the traces of different time under the record.

以‘L’型柱体作为中心转轴，以此来环绕不同的分区段，地材的整体性辅以固装的结构存在，来强化环绕型的动线组织，借由单门的便捷性，来实现全开状态下的开放性。

The L column is used as the central rotating axis to surround different sections. The integrity of the floor material is supplemented by the solid structure to strengthen the moving line organization of the surround type. The openness in the fully open state is realized by the convenience of a single door.

通过‘隔离’的方式来强化该区域的独立性，也弱化其呈现块面的形式语言，通过物件与物件的组合关系来自诉空间的连贯性，打开彼此存在的间隙和日常的生活体验值。

By means of isolation, the independence of the area is strengthened, and the formal language of the block is weakened. Through the combination relationship between objects, the coherence of the space is derived, and the gap between each other and the value of daily life experience are opened.

以更为包容的方式来承载空间与生活所交织的日常脉络，通过‘物件’的变化轨迹来记录更为平凡的时分和对向往的诠释，静谧且独善而得，建立与人，与环境之间的维系，回馈至介质的多元化定义。

To carry the daily context interwoven by space and life in a more inclusive way, to record the more ordinary time and the interpretation of yearning through the change track of objects, quiet and good alone, to establish the maintenance between people and environment, and feedback to the diversified definition of media.

消隐对‘空间’的有规可循，让其行进的轨迹淡化，使其落实到最为平凡的事件当中，由此而来的情绪发生的同时，去体验多元化交错的起居方式。

The rules of space can be eliminated, so that its track can be diluted, and it can be implemented into the most ordinary events. When the resulting emotions occur, we can experience a diversified and staggered way of living.

平面方案 / DESIGN FLAT PLAN
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INFO

项目名称：消隐的低诉
项目地址：浙江省 温州市 瑞安市
主创及设计团队：隹聿设计工作室
工程负责：梁筑装饰 梁耀光
建筑面积：135m² 
主持设计师：兰斯，王利勇
设计参与：林思思， 曹建豪，滕蓓蕾
品牌供应方：森工木业，欧顿灯饰，DANILO涂料，
REMEWOOD地板，德赛斯岩板等...
项目完成时间方：2022.10
平面摄影: WM STUDIO
视频摄影: 汪维VC WANG


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AGENCY FOUNDER