Nono Studio 由 Susannah Stopford 与 Alejandra Murillo 创立，常驻洛杉矶与墨西哥城，专注于建筑、室内与物件设计。灵感源自野口勇的游乐场，他们的创作游走于功能、美感与可达性之间，在“快乐”中寻找设计的意义。

MOON CANYON

Los Angeles, USA

P. 01

这座位于洛杉矶华盛顿山（Mount Washington）月亮峡谷（Moon Canyon）山坡上的住宅，由Nono Studio的苏珊娜·斯托普福德（Susannah Stopford）与亚历杭德拉·穆里略（Alejandra Murillo）共同主持改造。项目并非对旧建筑的表面修缮，而是在尊重历史脉络的基础上，进行了一次彻底的再创造。接手时，老屋状况堪忧，结构脆弱得几乎垮塌，仿佛悬于山崖边缘。然而，其内部却意外地保留着珍贵的时代印记——1930年代的松木与雪松墙板，以及一面由1970年代加州艺术学院学生创作的彩绘玻璃窗。这些元素像是时间留下的注脚，为空间赋予了不可复制的个性与温度。

This residence is located on the hillside of Moon Canyon in Mount Washington, Los Angeles. It was co-hosted by Susannah Stopford and Alejandra Murillo of Nono Studio. The project is not a superficial renovation of the old building, but a thorough recreation based on respecting the historical context. When I took over, the old house was in a worrying condition. Its structure was so fragile that it was almost collapsing, as if hanging on the edge of a cliff. However, its interior unexpectedly retains precious imprints of The Times - pine and cedar wall panels from the 1930s, as well as a stained glass window created by students of the California Institute of the Arts in the 1970s. These elements are like footnotes left by time, endowing the space with an irreplicable personality and warmth.

P. 02

P. 03

P. 04

P. 05

设计师将这一改造过程，巧妙地比作日本传统的“树木移植术”（jumoku iseki）。这种技艺的核心，也就是“根回”（nemawashi），是指在新开发区域，为了避免砍伐古树，人们会通过逐步挖掘、梳理树根的方式，小心翼翼地将其整体迁移到新的地点，以最大限度地减少损伤。就像这座老屋的改造，其精髓并非粗暴地切断与过去的联系，而是如同进行一场精密的“根回”手术——温柔地剥离结构上岁月的疲惫，将其历史的“根系”轻巧地移植到当代生活的语境之中。

The designer ingeniously compared this renovation process to the traditional Japanese tree transplantation technique (jumoku iseki). The core of this technique, known as nemawashi, refers to the fact that in newly developed areas, to avoid felling ancient trees, people carefully move them as a whole to new locations by gradually digging and sorting out the roots, in order to minimize damage. Just like the renovation of this old house, its essence is not to roughly cut off the connection with the past, but rather to perform a precise root recovery surgery - gently stripping away the fatigue of time on the structure and lightly transplanting its historical root system into the context of contemporary life.

P. 06

P. 07

P. 08

P. 09

建筑师敏锐地保留了原始建筑所承载的时间质感，并围绕光线引入与自然互动展开了空间的重构。室内铺设的原木饰面与质朴地面材料，既延续了原有狩猎小屋的粗犷气息，又通过对空间尺度的精心拿捏和细节的细腻处理，使其流畅过渡为一个适宜现代家庭生活的居所。那面遗留的彩绘玻璃窗与精心设计的定制灯具，则在空间中注入了一层手工艺的气息，为理性结构赋予了情感上的余温。

The architect keenly preserved the temporal texture carried by the original building and reconstructed the space around the introduction of light and interaction with nature. The wooden veneer and simple floor materials laid inside not only continue the rough atmosphere of the original hunting cabin, but also, through the meticulous control of spatial scale and the delicate handling of details, smoothly transition it into a residence suitable for modern family life. The remaining stained glass window and the elaborately designed custom-made lamps infuse the space with a touch of craftsmanship, endowing the rational structure with an emotional aftertaste.

P. 10

P. 11

P. 12

MOON CANYON住宅的改造，不是一次对复古语汇的形式模仿，更是一场关于“居住”本质的思考。它既忠实地守护着场地与记忆之间的联结，又回应了工艺、时间流逝与居者情感之间错综的关系。房子仿佛不再是静止的物体，而是一种有生命的存在——在山林与光影之间悄然生长，拥抱着周遭的山林，又真切地与居住者的生活产生共鸣。

The renovation of the MOON CANYON residence is not a formal imitation of retro vocabulary, but rather a reflection on the essence of living. It not only faithfully guards the connection between the site and memory, but also responds to the intricate relationship among craftsmanship, the passage of time and the emotions of the residents. The house no longer seems to be a static object but a living existence - quietly growing between the mountains and forests and light and shadow, embracing the surrounding mountains and forests, and truly resonating with the lives of its occupants.

P. 13

P. 14

信息 | information

编辑 EDITOR

：Alfred King

撰文 WRITER ：L·xue 校改 CORRECTION :

W·zi

设计-版权DESIGN COPYRIGHT :

Nono Studio