位于英国布里斯托的一栋维多利亚式排屋，是西班牙设计师Rosa Roig-Fiol 为自己与丈夫Duncan打造的居所，也成为她创立的Ro Projects工作室首个正式发表的项目。“当我创立工作室时，其实已经在着手设计这个家了。”Rosa 回忆道，“作为属于自己的空间，这个项目让我能够毫无妥协地依循直觉，创造出一个真实而诚恳的表达。”

Located in a Victorian terrace in Bristol, this home was designed by Spanish designer Rosa Roig-Fiol for herself and her husband Duncan. It also marks the first published project of her interior design studio, Ro Projects.“When I founded the studio, I was already in the process of designing my own home,” Rosa recalls. “Being my own space, this project gave me the freedom to follow my instincts without compromise—creating something honest and true to who I am.”

这个空间不仅展现了

Rosa

作为室内设计师与艺术家的双重身份，也成为Ro Projects设计方法的首个落点，同时也是一个独特的起点。“对我来说，分享这个家，是向世界介绍Ro Projects最自然的方式。”Rosa告诉我们。

The space reflects her dual role as both interior designer and artist, serving not only as the first embodiment of Ro Projects’ design approach, but also as a highly personal starting point. “ Sharing this project felt like the perfect way to introduce Ro Projects to the world ” she tells us.

Ro Projects 创始人

Rosa Roig-Fiol，是一位西班牙裔英国艺术家，她的艺术之旅灵感源自家乡马略卡岛的如画风景，因为在自然美景的环绕中长大，从小就形成了自己独特的艺术视

角。

Rosa的背后是她自己创作的画作，复古椅子由 Ross Littell 设计，来自布里斯托尔的一家复古商店 Modern Room

在客厅，天花板需要大修，但Rosa与熟练的工匠合作，小心保留了原有的维多利亚式檐口装饰，选择让新抹灰裸露在外，以引入现代感的边缘，缓和房间的高度，创造出一种茧般的亲密感

Rosa在新冠疫情期间用丙烯颜料和石膏创作的黄色抽象画，是希望在尝试寻找油画以外的新绘画媒介。如今，这已成为她所有绘画的媒介

空间的氛围

The mood of a space

对Rosa而言，空间的氛围与情绪的存在是不可分割的，它们与空间的运作方式和体感体验紧密相连。她将空间比喻为“拥有自身故事的有机体”，并相信一个好的空间应当“温柔地包裹你，与你的故事一同呼吸”。而这需要对光线、尺度、材料、节奏等元素有近乎极致的感知力。“一个房间能让你感到安心，或激发情绪，有时你甚至说不出原因。”她说道，“我们非常注重氛围，因为正是这些看似细微的感受，决定了一个空间如何真正被生活。”

For Rosa, the atmosphere of a space is inseparable from its emotional presence—deeply connected to how it functions and feels. She describes space as “a living organism with its own story,” and believes that a good space should “hold you gently and breathe alongside your story.”Achieving this, she notes, requires an acute sensitivity to elements like light, scale, materials, and rhythm.“A room can lift you up or calm you down—sometimes without you even knowing why,” she says. “We pay close attention to atmosphere, because it’s these seemingly subtle feelings that shape how a space is truly lived in.”

墙上的照片由 Rosa 拍摄

于她与丈夫

Duncan 两年前在

马尔岛的纳基尔湖 (Loch Na Keal)

的公路旅行中

空间里，艺术如同一条叙事线索贯穿整座房子，塑造着空间的情绪与功能。作为一位兼具室

内设计师与艺术家身份的创作者，Rosa 将艺术置于本项目的核心 —— 她的作品以及其他艺术家的创作被有意识地陈列在整个住宅之中。“这个家是一个机会，让我把所有所爱之物

汇聚一处 —— 创造一个私人、愉悦、且宜居的空间。”Rosa 解释道，"当艺术成为日常体验的一部分，当你停下来注视它时，它能反映你的情绪，唤起某些感受。"

Art weaves through the house like a narrative thread, shaping both the mood and the function of each space. As a creator who is both an interior designer and an artist, Rosa placed art at the heart of the project — her own works,alongside pieces by other artists, are thoughtfully displayed throughout the home.“This house was a chance to bring together everything I love — to make something personal, joyful, and easy to live in” Rosa explains.“When art becomes part of your everyday experience, it reflects your mood and stirs certain feelings when you pause to take it in.”

展示墙正对着的这副色块画作来自Rosa自己的

创作，

右上角是

Duncan

祖母传下来的木制帽模，而小花瓶来自Rosa自己创作

来自Rosa 制作的绘画和陶瓷台灯，Rosa挑选艺术品的原则是，并没有过度思考每件作品是否“适配”，而是相信只要被打动，它自然会在空间中找到合适的位置，因为Rosa认为艺术品是应该与空间使用者共同生活，而不只是仅仅挂在墙上被欣赏

直觉的轨迹

An instinctive journey

在 Rosa 的设计方法中，“直觉”是一种贯穿始终的力量。从墙面的颜色、艺术品的摆放，到空间的动线组织，

无论是艺术作品还是家具——都是那些让她感觉‘对了’的事物。

“我常常依靠本能来判断某个选择是否‘对’，这是一种在可规划与可感知之间找到平衡的过程。”

In Rosa’s design approach, intuition is a constant and guiding force. From the wall colours and the placement of artworks to the overall flow of the space, every decision—be it a piece of art or a piece of furniture—was guided by what simply felt right.“I often rely on instinct to know whether something is ‘right’,” she says. “It’s about finding a balance between what can be planned and what needs to be felt.”

我想这个家反映出我对“温暖”与“生活美感”的一种信念。“Rosa告诉我们，她对那些过于精致或让人不敢靠近的空间不感兴趣，更喜欢的是开放、真实、层次丰富且松弛的家。这所房子很好地表达了她认同的价值观：它舒适、私密，也从不刻意讨好。

“I think this home reflects my belief in warmth and the beauty of the lived-in,” Rosa tells us. She’s not interested in spaces that feel overly polished or too perfect to be touched. What she loves are homes that are open, honest, layered, and relaxed.This house embodies those values: it is comfortable, intimate, and never tries too hard to impress.

Rosa告诉我们空间里

还藏有许多充满个人情感的细节，例如她的丈夫

Duncan

用父母花园里倒下的树干亲手打造的两张桌子，这些私人物品让空间扎根于他们的生活与故事之中，也时刻提醒着她，真正的家，是由人与记忆共同构成的，而一侧的扶手椅是偶然发现的一件古董

在限制中激发创意

Creativity thrives within constraints

“在预算限制与审美追求之间取得平衡的关键，是要非常明确什么对你来说真正重要。”Rosa 表示，“有些地方值得投入，比如定制的水磨石挡水板；而在其他部分，我们则选择更简约或更巧妙的方式应对——用简单的木作，或者重新利用已有的元素。”她认为，正是这些限制激发了更多创造力，也让整个设计过程保持了诚实与真实。

“The key to balancing budget constraints with aesthetic values is being really clear about what matters most,” Rosa says. “Some elements were worth investing in, like the bespoke terrazzo splashback. In other areas, we chose to pare things back or be more resourceful—using simple joinery or repurposing existing elements.” She believes these constraints actually encouraged greater creativity and helped keep the design honest and true.

“我始终偏爱那些真实、自然的材料——木材、石头、石膏，它们被允许展现自身的质感，并能随着时间优雅地老去。”她尤其强调自己对“对比”的偏爱：粗与细、哑光与光泽、新与旧之间的张力，为空间带来层次与微妙的戏剧性。

“I always return to materials that feel grounded and honest—timber, stone, plaster. They’re allowed to show their true character and age gracefully,” she says.She places particular emphasis on contrast—rough and smooth, matte and polished, old and new. This interplay of textures brings depth and a subtle sense of drama to the space.

Diespeker 定制水磨石防溅板和 Fenix 台面，

厨房的材质从裸露的灰泥墙面、温润的木材到定制的水磨石台面，Rosa的选择始终围绕“真实”展开，感受着不同质感、色彩、触感的对比，而水磨石则增添一丝俏皮的质地感，这样的空间令人愉悦

厨房里这个略带藏匿感的窗边座位，是Rosa最爱的角落。“那里的光线非常美，而且略带隐蔽感。那是我独自坐下、看着花园、享受宁静的地方——或者边做饭边与朋友聊天。虽然只是一个小小角落，却像避风港一般，连接着家的核心”

英伦框架与地中海气质

British Structure, Mediterranean Soul

这次设计既向Rosa家乡的马略卡岛（Mallorca）致敬，也回应了维多利亚式联排住宅本身的建筑特质。她并不追求表层的“文化混搭”，而是着重营造一种氛围感——在感官层面将地中海的亲密氛围、自然材质与松弛气质，融入这座英式老建筑的结构之中。

Rosa

希望在尽可能保留原有建筑细节的同时，让空间更适应当代的生活方式。“我喜欢这两种世界的交汇——英式旧建筑被阳光的色调和触觉的简约感所柔化。”她说道。

This design pays tribute both to Rosa’s Mallorcan roots and to the character of the Victorian terrace itself. Rather than a surface-level fusion of styles, she focused on creating atmosphere—layering Mediterranean intimacy, natural materials, and a sense of ease into the architectural framework of the British home. Her aim was to preserve as much of the building’s original features as possible, while adapting it to contemporary life.“I love the meeting of these two worlds,” she says. “Old British architecture softened by sun-warmed tones and tactile simplicity.”

Rosa

（右）

与品牌与策略主管Anna Kidel

（左）

密切合作，Anna的设计和叙事背景在指导工作室的创意方向和发展中起着关键作用。除了在Ro Projects的工作外，Anna还是位于布里斯托尔的家具工作室Mythology的联合创始人

餐厅的吊灯来自 Louis Poulsen PH 5 lamp，来自于设计师Poul Henningse

n的作品，灯具

将大部分光线向

下引导，提供舒适、无眩光的照明，它不仅自发光，还能发出侧光，从其核心发出柔和的光

Mythology 台灯，由 Anna（及其合伙人）经营的本地设计工作室设计，采用橡木和丝绸制成，并使用环保的天然染料

桌子末端的椅子是由 Vico Magistretti 设计的“Carimate”餐椅

整座房子展现出一种安静而内在的连贯性。Rosa 希望在不采用开放式布局的前提下，依然能够营造出通透而有流动感的空间氛围。柔和的暖白色调贯穿全屋，而艺术作品与装饰中跳跃的色彩则如同节奏节点，为空间注入能量与层次。

The house as a whole exudes a quiet sense of cohesion. Rosa wanted to create a sense of openness and flow without relying on an open-plan layout. A soft, warm off-white palette runs throughout the space, while pops of bold colour in the artwork and décor act as rhythmic accents—bringing energy and visual movement to the calm, continuous backdrop.

Ferm Living的台灯，以及哥本哈根设计博物馆的海报

纽约现代艺术博物馆的纽约之旅海报

更缓慢、更有意识的生活方式

A life of slowness and mindfulness

“节奏与比例是为家带来宁静感的好方法。”Rosa 与我们分享道。房间之间的柔和过渡与平衡的布局，让视线得以自然流动。那些鼓励停留的片刻，以及经过用心打磨的细节，会让人不自觉地放慢脚步，享受空间带来的氛围与节奏。在 Rosa 的家中，各个房间彼此独立，却通过色彩与材质轻柔衔接，营造出一种渐进而舒缓的流动感，既不仓促，也不割裂。

“Rhythm and proportion are great ways to bring a sense of calm to a home,” Rosa shares. Soft transitions between rooms and a balanced layout allow the eye to move naturally through the space. Moments that invite pause, along with thoughtfully crafted details, gently encourage you to slow down and truly take in your surroundings.In Rosa’s home, each room is distinct, yet they’re subtly connected through colour and material—creating a sense of gradual flow that feels calm, never rushed.

左侧为Rosa的画作，

灵感源自马略卡岛 (Rosa 的家乡岛屿) 的特拉蒙塔纳 (Tramuntana) 海岸，床上方的照片也是 Rosa 在加州度假期间拍摄的，而床头的壁灯来自 CB2

这幅画是

Rosa

创作的，

描绘了她最喜欢的帕尔马湾游泳胜地，夏天她和她的爸爸都会去那里游泳

“它让我更有信心去信任自己的直觉。日复一日地与自己的想法生活在一起，让我更清楚什么是有效的，什么感觉对，什么又并不适合。”Rosa 坦言。与此同时，这个家也持续地提醒着她：最好的空间从来不是一个静止的“完成品”，而是一个会随着生活不断成长和演变的有机体。

“It has given me confidence to trust my instincts,” Rosa reflects. “Living with my own ideas day after day shows me what works, what feels right, and what doesn’t.”At the same time, the space gently reminds her that the best homes are never finished—they are living, evolving organisms that grow alongside the life unfolding within them.

Mythology 台灯，采用必须在伦敦砍伐的伦敦悬铃木木材制成

未完待续的"家"

An Unfinished Home

这个项目的完成只是一个开始。如今，Ro Projects工作室正在推进多个新计划，包括威尔特郡的谷仓改造、伦敦肯辛顿的联排别墅翻新，以及与一家厨房品牌的合作。对Rosa而言，家的意义从不止步于某个具体的地点，它更像是一种持续生长的信念——关乎日常的温柔节奏，艺术的渗透力，以及生活中那些被认真对待的微小之物。

This project was only the beginning. Today, Ro Projects is working on several new ventures, including a converted barn in Wiltshire, a townhouse renovation in Kensington, and a design collaboration with a kitchen brand.For Rosa, the meaning of home has never been tied to a single place. It is an ongoing belief—a quiet, evolving commitment to the rhythms of daily life, to the presence of art, and to the small, intentional things that matter.