在 Oskar Firek Architects 的语境中，真正的丰盈从不依赖张扬的形式或过度的表达，而诞生于材料本身。天然材料的质感、构造节点的精确处理、对工艺过程的持续关注，以及缓慢而审慎的设计节奏，共同构成了一种内敛

深刻的空间气质——“静谧的丰盈”。它并非感官的堆叠，是一种通过克制与秩序所达成的密度；一种在时间中愈发清晰的、简洁且永恒的形式。

In the context of Oskar Firek Architects, true abundance never relies on ostentatious forms or excessive expressions, but emerges from the materials themselves. The texture of natural materials, the precise handling of construction joints, the continuous attention to the process of craftsmanship, as well as the slow and deliberate design rhythm, together constitute an introverted yet profound spatial temperament - "Silent Abundance". It is not a mere accumulation of sensations, but a density achieved through restraint and order; a form that becomes increasingly clear over time, simple yet eternal.

Oskar Firek Architects 由创始人 Oskar Firek 领导，工作室汇聚了一群秉持共同美学理念、同时具备互补专业技能的设计人士。相对精炼的团队规模，使工作室能够以高度个性化的方式回应每一个项目，并在全过程中保持对设计品质与整体连贯性的精准把控，在独特表达与系统秩序之间取得平衡

自 2012 年成立以来，Oskar Firek Architects 始终在私人住宅与商业空间之间展开对形式、语境与个性的持续探索。根植于创始人深厚的艺术背景——绘画、雕塑与陶艺的长期熏陶，工作室的每一个项目都以自然材料、精致造型与理性布局为基础，将空间视为人与环境、功能与情感之间的精密平衡。无论是回应居住者个性的住宅，还是作为品牌延伸的商业室内，设计都以高度定制化的方式展开，并通过对整体品质与执行细节的严格掌控，确保空间在美学与使用层面上的一致与纯粹。

Since its establishment in 2012, Oskar Firek Architects has continuously explored the forms, contexts and individualities in private residences and commercial spaces. Rooted in the founders profound artistic background - long-term exposure to painting, sculpture and pottery, every project of the studio is based on natural materials, exquisite shapes and rational layouts, viewing the space as a precise balance between people and environment, functions and emotions. Whether it is a residence that responds to the personality of the residents or a commercial interior as an extension of the brand, the design is carried out in a highly customized manner, and through strict control of overall quality and execution details, ensures the consistency and purity of the space in terms of aesthetics and functionality.

印际：Oskar Firek Architects 在过往项目中始终强调材料的表达与比例的把握。这些是如何延续并体现您工作室的核心设计理念？在具体实践中，您是如何将这一理念落实到空间中的？

YINJISPACE: Oskar Firek Architects has always emphasized the expression of materials and the control of proportions in their past projects. How do these elements continue and reflect the core design philosophy of your studio? In practical implementation, how did you incorporate this concept into the spaces?

Oskar Firek Architects：每一套公寓都清晰地体现了我们通过材料、对比关系以及独立物件来构建空间的方式。当你回顾我们以往的项目时，会发现其中存在一种共通的设计语言——它并非风格化的重复，而是一种对空间秩序与感知方式的持续探索。除此之外，我们也会将设计重心放在对功能性的考虑上，为每一位务实的业主量身定制大量的储物空间，并发展出多种针对日常使用的具体解决方案。于我们而言，在材料与比例之外，空间必须真正服务于生活，这一点在项目中尤为重要。

Oskar Firek Architects: Each apartment clearly demonstrates our approach of constructing spaces through materials, contrast relationships, and individual objects. When you review our previous projects, you will notice a common design language present - it is not a repetitive style, but rather a continuous exploration of spatial order and perception. Additionally, we also place the design focus on functionality, customizing a large amount of storage space for each practical owner and developing various specific solutions for daily use. For us, apart from materials and proportions, the space must truly serve life, and this is particularly important in the projects.

AJM House

手作的温度

这座420平方米的住宅是为一个年轻家庭设计的，主立面朝向南侧，使空间始终沐浴在柔和的自然光中；同时，窗外延展的 Kraków 历史天际线，也

赋予了

日常生活独特且富有诗意的景致。底层汇集了家庭日间活动的核心：客厅、带储物间的厨房、用餐区以及娱乐室，它们构成了开放而流动的生活场景。上层则作为静谧的休憩区域，设有宽敞的主卧套房，并配置了儿童房与客房。整体平面经过悉心推敲，以舒适度与开放感为首要原则，为居住者打造兼具功能与轻盈感的生活体验。

The 420 m² house was designed for a young family. Its main southern exposure allows for plenty of natural light and offers a beautiful view of the historic skyline of Kraków. The ground floor contains the main daytime functions, including the living room, kitchen with pantry, dining area, and a recreation room. The upper floor features the sleeping area with a large master suite as well as additional children’s and guest rooms. The layout was carefully planned to provide comfort and an open space, which was a priority for the clients.

黏土灰泥、木材与石材等天然材质构成了设计的基础，让室内既拥有鲜明个性，又凝聚着温暖的触感。空间本身亦成为艺术品的理想背景——Adam Bakalarz 与 Grzegorz Worpus 的画作、Paweł Jach 的雕塑在此与环境自然融汇。家具与装饰元素之间

造型

的对比强化了项目的风格特质，该住宅所有家具均由当地一家小型木工坊精心制作，为空间增添了更真实的手作温度。

Natural materials such as clay plaster, wood, and stone were used as the foundation of the design, giving the interior its character and warmth. The space serves as a strong backdrop for artworks, including paintings by Adam Bakalarz and Grzegorz Worpus and sculptures by Paweł Jach, which integrate harmoniously with the interiors. The furniture and decorative elements complete and define the project’s character through their contrasting forms. It is also worth noting that the furniture for this project was made by a small local carpentry workshop.

EMU House

低调而现代

这栋位于 Świętokrzyskie 山脉的住宅，由华沙的工作室 81.WAW 设计，由三个地上模块和一个地下层组成。建筑以烧杉板覆层与玻璃连廊相结合，使整体形态与周围森林环境自然交融，呈现出低调而现代的景观感。

The architectural form of the house in the Świętokrzyskie Mountains was designed by the Warsaw-based studio 81.WAW. The building consists of three above-ground modules and one underground level. Its composition, paired with shou sugi ban cladding and glazed connectors, allows the house to blend naturally with the forest surroundings.

Cassina Soriana 扶手椅

Uunism.Store 的铸钢腿真皮扶手椅；Oskar Firek 的木雕；Tymek Jezierski的艺术品（大绿色，厨房附近的小绿色）；Tomasz Opaliński 的厚框砖色调绘画

住宅的设计核心在于营造一个向自然环境开放的空间。主模块内挑高宽敞的客厅与厨房直接通向带泳池的露台，实现与花园的无缝衔接。其余模块通过玻璃廊桥相连，涵盖主卧套房、健身区、儿童房、书房及客房。大面积玻璃幕墙引入充足日光，同时在视觉上将室内空间与周围森林自然联结。

The main goal was to create a space open to its natural context. The tall, spacious interiors of the main module include the living room with kitchen and access to a terrace with a pool, forming a seamless connection to the garden. The remaining modules, linked by glass corridors, include the master bedroom, fitness area, children’s rooms, a study, and guest spaces. Extensive glazing brings daylight into the interior and visually connects the house with the forest.

床头上方的画来自 Grzegorz Worpus-Budziejewski；可折叠的凳子与真皮座椅由 OFA 定制设计

DKR House

空间之间的互动

DKR 住宅坐落于 Kraków 以西的 Vistula 山谷，在波兰南部森林地带的边缘。建筑基地为一块面积广阔且形状独特的坡地，地形沿双向倾斜，为住宅带来了独特的视野，也为周边景观营造了难得的条件。

DKR House is located west of Kraków, in the Vistula valley, at the foot of forested areas in southern Poland. The building stands on a large and unusually shaped plot with terrain sloping in two directions, which offered an opportunity to position the house in an interesting way and develop its surroundings with care.

Wojciech Firek（Oskar 的父亲）受爵士乐启发的雕塑作品；

由雕塑家 Maria Preis（Oskar Firek的母亲）创作的陶瓷台面咖啡桌、形如矮凳的木制边几；低矮茶几由当地木匠雕刻

CIZETA 的 Alpha 餐椅；Beata Polczyk 的三联画

建筑总面积达 406 平方米，共分三层。底层是一处开阔明亮的起居空间，通高大窗引景入室，并通向俯瞰林木的露台。厨房与用餐区以房屋中央的一扇圆窗形成有趣的视觉联结，使空间之间保持互动与流动。除此之外，该层还配置客用卫生间、客房、储藏间、衣帽间及车库，功能布局完善且紧凑有序。

The building has a total area of 406 m² and is divided into three levels. The ground floor contains a spacious living area with large windows opening to a terrace overlooking the trees. The kitchen and dining area are connected with a round window at the center of the house. This floor also includes a guest bathroom, guest room, pantry, wardrobe, and garage.

墨绿色皮革材质的复古 Ligne Roset Togo 扶手椅；书桌椅和门厅休闲椅来自波兰品牌 NG Design

Oskar Firek Architects 的设计秉持秩序与平衡，同时向自然敞开。清晰简洁的造型语言，偶尔流露粗野主义特质，为空间赋予现代感与永恒气质。虽然整体采用开放式布局，但各功能元素经过精心安排，兼顾舒适性、实用性与亲密感。为家庭打造一个契合自然节律、宁静宜人的居所。

The design of Oskar Firek Architects is based on order and balance, while also opening up to nature. The clear and concise form language occasionally reveals elements of brutalism, giving the space a modern and timeless quality. Although the overall layout is open-plan, each functional element is carefully arranged to balance comfort, practicality and intimacy. It creates a home that is in harmony with the natural rhythm and is serene and pleasant for the family.