架构师提供的文本描述。OOZN的Bukit Pantai概念设想三层轻量级住宅展馆漂浮在一个翠绿的吉隆坡山坡上。展馆是一个流动的铝面料皮肤，以响应变化的光照条件。穿孔屏蔽了刺眼的热带太阳的内部，而涟漪的几何图形创造了运动的印象。

Text description provided by the architects. OOZN’s Bukit Pantai concept imagines three tiered lightweight residential pavilions floating over a verdant Kuala Lumpur hillside. The pavilions are clad in a flowing aluminium fabric skin that responds to changing light conditions. Perforations screen the interiors from the harsh tropical sun whilst the rippling geometry creates the impression of movement.

位于KL最著名的郊区之一的一座翠绿的山丘上，OOZN的Bukit Pantai概念试图筛选和刷新1960年的山坡家园。这所房子采用三层居住空间的形式，这些空间沿着山坡向KL中心泻下。以琉璃为主的北面向城市提供了壮观的景色，而北亭则被街道所忽略。最初设想作为一个办公区域，客户希望将北亭改造为家庭主套房，增加了对隐私的需求。作为当代艺术和设计的收藏家，业主也希望这座引人注目的北门亭能够作为他的艺术收藏的延伸，同时与现有的街道和景观相融合。这座房子坐落在一座安静的小屋里，里面有独立的现代主义别墅，可以追溯到上世纪60年代。

Located on the side of a verdant hill in one of KL’s best established suburbs OOZN's Bukit Pantai concept seeks to screen and refresh a 1960's hillside home. The house takes the form of three tiered living spaces which cascade down the hillside towards the centre of KL. The predominantly glazed Northern facade offers spectacular views towards the City whilst the Northern pavilion is overlooked by the street. Originally conceived as an office area the client wished to convert the Northern pavilion into the homes master suite increasing the need for privacy. As a collector of contemporary art and design the owner also wished for the highly visible Northern entrance pavilion to act as an extension of his art collection whilst blending with the existing street and landscapes. The house sits in a quiet Cul-de-sac comprising individual modernist villas dating from the 1960's.

OOZN的概念采取了一个柔软的卧室窗帘包住内部空间，并将其转移到展馆的外观与流动的铝质面料皮肤。然后，将流动的皮肤穿孔以将光传输到内部，而穿孔图案密度则遵循现有窗口的布局。设计采用了一种金属材料的概念，这种材料通常被认为是硬的和冷的，用作轻薄的织物包装。入口处的展馆坐落在一片简单的草坪上，上面有一排树，从街道上进一步遮挡着亭子。材料、形式、反射率和景观的结合，创造了展馆漂浮在景观之上的感觉。外部照明设计在夜间进一步增强了这一效果。这些面板是在广州的一个专家车间里制作的。第一阶段的手工艺品粘土模具，基于建筑师的三维模型，在使用气动压力机形成2.5mm铝板的几何形状的模具。然后，压板穿孔和粉末涂层之前，运输到现场进行安装。

OOZN's concept takes the idea of a soft bedroom curtain enveloping the interior space and transposes it to the pavilion exterior with a flowing aluminium fabric skin. The flowing skin is then perforated to transmit light to the interior whilst the perforation pattern density follows the layout of the existing windows. The design plays on the idea of a metallic material more commonly perceived as hard and cold used as a lightweight fabric wrap. The entrance pavilion sits 3.5m above a simple lawn with a row of trees further screening the pavilion from the street. The combination of materials, form, reflectivity and landscape combine to create the impression that the pavilion is floating above the landscape. The external lighting design further enhances this effect at night time. The panels were fabricated in a specialist Guangzhou workshop. The first stage in the process handcrafts clay moulds, based on the architect’s 3D model, before using a pneumatic press to form 2.5mm aluminium sheets to the geometry of the mould. The pressed panels are then perforated and powder coated before shipping to site for installation.

Architects OOZN

Location Kuala Lumpur, Malaysia

Category Houses

Design Team Chipik Alsi Tuinti, Rafal Kapusta, Stephanie Gunawan, Darmaganda Njoo

Local Architect I-Wen Foo

Area 750.0 sqm

Project Year 2015

Photographs Lin Ho