空间的一半依赖于设计

另一半则源自于存在与精神

“Half of space depends on design the other half is derived from presence and spirit.”

——安藤忠雄（Tadao Ando）

Temple House 以其对艺术之美和共鸣的毫无歉意的庆祝而定义，它是一种安静的仪式性力量。

该住宅位于墨尔本，由 J.Kidman 建筑事务所的 James Reid 设计，室内设计由 Design by Golden 负责，并由Studio Tali Roth精心装饰。

Temple House is defined by its unapologetic celebration of the beauty and resonance of art, as a quiet ceremonial force. The residence is located in Melbourne and was designed by James Reid from J. Kidman Architects. The interior design was handled by Design by Golden and meticulously decorated by Studio Tali Roth.

Temple House 的门厅玄关是重要的过渡与沉思时刻。沙色石灰华地板延续了外部材质肌理，自然光线向空间深处跃动。乔尼·尼什创作的装置艺术品自天花垂悬而下，胡安·福特的大型画作铺陈于对墙，为后续非凡的艺术品陈列定下基调。

The entrance hall of Temple House is an important transitional and contemplative moment. The sand colored limestone floor continues the texture of the external material, and natural light jumps towards the depths of the space. The installation artwork created by Johnny Nish hangs from the ceiling, while Juan Fords large-scale paintings are displayed on the opposite wall, setting the tone for subsequent extraordinary art exhibitions.

本案的核心挑战在于调和客户截然不同的审美取向。主要诉求是打造一个能巧妙平衡双方设计偏好的家居空间，将比利时极简主义的精致优雅与手工打造的层次感美学相融合，戈尔登设计公司的艾丽西亚·麦基姆坦言，两位客户各自准备了定制参考图集，我们的使命是将这两种截然不同的愿景诠释融合为协调宜居的整体。

Golden’s defining challenge involved bringing together the clients’ contrasting tastes.

“The primary brief was to create a family home that thoughtfully balanced the clients’ differing design preferences, merging the elegance of refined Belgian minimalism with a more crafted and layered aesthetic,” says Golden’s Alicia McKimm, adding that “each client came to the project with their own custom-made books of reference imagery, and it was our role to interpret and harmonise those distinct visions into a cohesive and liveable whole.”

同样地，塔莉·罗斯通过甄选全球家具、灯饰与艺术陈设为项目注入庄重感。大型项目中家具选择常因决策疲劳或后期精力不济而遭忽视，罗斯解释道，我力求让家具与照明设计提升整体空间品质。马里奥·贝里尼设计的橄榄绿Camaleonda模块沙发尤为出彩，与罗斯亲自设计的拉丝不锈钢餐桌及埃里森工作室餐椅相得益彰。

Similarly, Tali Roth introduced additional gravitas to the project, sourcing furniture, lighting and objects from around the globe.

“Sometimes in a large project like this, the furniture can be neglected from decision fatigue or just generally running out of steam,” says Roth.

“I wanted to make sure the furniture and lighting made the home even better.” An olive Camaleonda sofa by Mario Bellini is a stand-out piece alongside a brushed stainless-steel dining table designed by Roth and chairs from Ellison Studios.

不同于模糊的触点或松散的风格参照，里德对这些建筑圭臬的深刻诠释在整个项目中清晰可辨。住宅上方向内斜切的夸张体量，明显呼应着霍利霍克别墅的巨石般顶部构造，亦是对场地条件的优雅回应。

Greater than vague touchpoints or loose stylistic references, Reid’s thoughtful interpretation of these architectural north stars can be seen throughout the project.

Take the dwelling’s exaggerated upper volume, which chamfers inwards;

it’s a clear nod to Hollyhock’s monolithic top and an elegant response to the site’s conditions.

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更引人注目的是错落体量与精密开窗之间复杂而精妙的互动——这种源自马略卡岛坎利斯住宅的纯粹几何构图，结合里德对格式塔原理的思考，形成了令人愉悦且清晰可辨的空间序列，微妙的分离感恰如其分地营造出张力。

Also notable is the complex yet highly resolved interplay of stacked volumes and precisely placed openings akin to the pure geometry of Can Lis in Mallorca.

Similarly derived from Reid’s interest in Gestalt principles, it creates a pleasing, legible arrangement where the slightest separation creates just the right amount of tension.

这些设计语汇在挑高近两层的宏大厅堂中达到极致，该空间囊括开放式厨房、起居与餐饮区域。高耸的天花、充裕的功能分区与精心规划的视线关系，共同营造出既具包裹感又显恢弘的气度。底层北立面采用通高玻璃幕墙（仅保留中心结构柱），而上部墙身则覆以木质板材，形成厚重体量悬浮于透明形态之上的视觉效果。两侧纤薄玻璃窗框捕捉湛蓝天光，将自然光线洒向石灰华地面与木饰墙面。

These references are at their most striking in the double-height ‘great room’, which contains the open kitchen, living and dining areas.

Soaring ceilings, generous zoning and considered sightlines create a space that is at once cocoon-like and monumental.

At ground level, the northern elevation features wall-to-wall glass, save for a central column, while the upper portion of the walls are lined in timber, giving the effect of a weighty volume hovering atop a diaphanous form. Thin panes of glass at either end frame slithers of blue and throw natural light across the travertine floors and timber-clad walls.

非常规布局将厨房置于空间核心，一端衔接用餐区，另一端延伸至休闲区。麦基姆将其视若家具艺术品进行设计：雕塑感的造型、精准的意图与极致的美学表现，同时兼顾日常功能性的完整实现。最终呈现为两组覆以翡翠大理石的岛台装置，既锚定了功能分区，又成为空间动线的起承转合点。

The unique layout places the kitchen in the centre, bookended by the dining space on one end and the living on the other.

McKimm “approached the design as though it were a piece of furniture: sculptural, intentional and beautifully resolved without compromising on everyday functionality”.

The result is a pair of statement islands draped in emerald marble;

together, they anchor the program, acting as both a springboard and a place to pause.

在比利时极简主义的背景下，Roth 引入了基本的色彩故事和家具、软装饰品、装饰灯饰和配饰的触感层次，以营造一种精致而温馨的氛围。

在这个氛围中，艺术成为点睛之笔，与建筑的完整性相得益彰，为沉思和联系提供了空间。

Against the backdrop of Belgian minimalism, Roth introduced basic color stories and tactile layers of furniture, soft furnishings, decorative lighting, and accessories to create a refined and cozy atmosphere. In this atmosphere, art becomes the finishing touch, complementing the integrity of the architecture and providing space for contemplation and connection.

Roth的设计与艺术的气息相互融合，在光影、质感和令人惊叹的空间慷慨之间创造出一个独特的避难所。

The synergy of Roth’s designs with the breath of art creates a singular sanctuary amidst the interplay of light, texture, and breathtaking spatial generosity.

INFO

项目名称：

TEMPLE HOUSE

项目类型：私人公寓

项目坐标：澳大利亚 墨尔本

项目

完成

2024年

建筑设计：

J. KIDMAN

室内设计：

GOLDEN - STUDIO TALI ROTH

目摄影：TIMOTHY KAYE

AGENCY FOUNDER

ALICIA MCKIMM ,KYLIE DOROTIC

GOLDEN DESGIN 创始人 / 设计总监

Golden Desgin

对富有表现力的内饰的还原论方法证明了对物理环境对我们幸福感影响的直观理解。工作室为住宅，酒店和工作场所项目而设计，其受人尊敬的工作体系是为提高生活质量做出的贡献而统一的。通过响应我们最基本的人类需求来改善日常生活。

这种对触觉，感官和情感的细致入微的方法将室内空间提升为现代生活的智能表达。精致而友善，启发而又务实，Golden的作品反映了我们人类对和谐与轻松的渴望。共振的内饰旨在让您体验并深刻地感受到。

内容策划 / PRESENT

策划 Producer ：Mei Ji File

撰文 Writer：MATILIAN 排版 Editor：W/fei

片版

权 C

yrig

GOLDEN