NAMOC的新图像，以及更多来自本体的图片，在中断…之后

New images of the NAMOC and more from Nouvel, after the break…

 To the North, a filter that protects an interior garden. Image © Ateliers Jean Nouvel

在北方，一个保护室内花园的过滤器。图像(Atelier Jean Nouvel)

NAMOC自称是“世界上最伟大的博物馆之一”，它将收藏可以追溯到明代时代的藏品。特色节目将包括永久和临时展览画廊，一个研究和教育中心，礼堂，大型室内花园和一系列公共空间。

Self-proclaimed to be one of the “greatest museums of the world,” the NAMOC will contain collections dating back to the Ming Era. Featured programs will include permanent and temporary exhibition galleries, a research and education center, auditorium, large-scale interior garden and a series of public spaces.

 Masterplan - Evolution of the Museum District. Image © Ateliers Jean Nouvel

总体规划-博物馆区的演变。图像(Atelier Jean Nouvel)

“我们的建议是经过一年的催化、浸入、对话和探索的结果，以翻译、综合、象征和物化中华文明的精神，”阿提尔·让·努维尔这样描述。“我们的目标是保护几个世纪以来用墨水创造的奇迹，展示活生生的艺术…的力量。”欢迎明天的艺术家。

“Our proposal is the result of one year of catalysis, of immersions, of dialogs and explorations to translate, synthesize, symbolize and materialize the spirit of the Chinese civilization,” described Ateliers Jean Nouvel. “Our goal is to protect the miracles created with ink throughout the centuries, to reveal the force of a living art… to welcome the artist of tomorrow.

“博物馆是一个里程碑，它将建筑确立为文明的媒介，成为自然和人类表达的纪念共生体。这些特殊的条件能够引起这种上升的态度，这种共生的反应，而不仅仅是一个传统的竞争的既定风格。今天，建筑的作用是催化、沉淀一种情况的精神，如果它是个别的、多元的或文明的。“

“The museum is a milestone that now establishes architecture as a civilizational medium, as the memorial symbiosis of nature and human expression. These exceptional conditions are able to elicit this rising attitude, this symbiotic response, and goes beyond being just a traditional competition of established styles. Today, the role of architecture is to catalyze, to precipitate the spirit of a situation should it be individual, plural or civilizational.”

 Longitudinal section. Image © Ateliers Jean Nouvel

纵断面图像(Atelier Jean Nouvel)

“NAMOC在太空中是由一位艺术家在很长一段时间内形成的表意图的一个片段，既赋予了它一种掌握感，也给了它一种自愿的不完全性：它将自己强加到天空中去。”因此，它抵抗万有引力定律，同时声称它的存在。“

“The NAMOC is written in space as a fragment of an ideogram shaped by an artist over a long period of time, giving it both a sense of mastery and voluntary incompleteness: by taking off the ground it imposes itself into the sky. It thus resists the laws of gravity while asserting its presence.”

 The interior garden, summer. Image © Ateliers Jean Nouvel

室内花园夏天。图像(Atelier Jean Nouvel)

 The interior garden, autumn. Image © Ateliers Jean Nouvel

室内花园，秋天。图像(Atelier Jean Nouvel)

“山的地平线，树木在巨石上的倒影，天空的倒影，绿色的岩石和绿树，石板后面的树枝，人们在巨石后面漫步，我们可以在明亮的光线中看到艺术作品，五颜六色的图像照亮灰色的裂缝和裂缝，黄色的地衣在灰色镀银的石头上受苦。”

“Mountainous horizons, reflections of the trees on the boulders, reflections of the sky on the sky, green rocks and green trees, branches behind stone grates, people strolling disappearing behind the boulders, we can make out works of art in the middle of a luminous ray of light, colorful images illuminate grey cracks and crevices, yellow lichens suffer on the grey silver plated stone.” 

 The summer hall overhung with a gold ceiling. Image © Ateliers Jean Nouvel

夏天的大厅上挂着一顶金色的天花板。图像(Atelier Jean Nouvel)

与北京建筑设计研究所(BIAD)的合作，这一广受赞誉的博物馆项目是国际竞争的结果，努维尔赢得了雷姆·库哈斯、扎哈·哈迪德、弗兰克·盖里等人的胜利。

A collaboration with the Beijing Institute of Architectural Design (BIAD), the highly acclaimed museum project is the result of an international competition that crowned Nouvel victorious over Rem Koolhaas, Zaha Hadid, Frank Gehry and others.

 The grand terrace facing the sky. Image © Ateliers Jean Nouvel

面向天空的大露台。图像(Atelier Jean Nouvel)

“让·诺维尔”入选中国国家美术馆设计

Jean Nouvel Selected to Design National Art Museum of China

中国国家美术馆竞赛参赛/OMA

National Art Museum of China competition entry / OMA

中国美术馆/盖瑞合作伙伴

National Art Museum of China Entry / Gehry Partners

中国国家美术馆/UNStudio

National Art Museum of China / UNStudio