This is an intriguing project, not only because the owner intentionally set aside the typical residential functions to focus on leisure, entertainment, and weekend g

atherings, but also due to the unique original conditions of the space—a narrow, tall vertical architectural cavity. This challenge adds a layer of design interest that transcends the conventional.

项目视频

这是一个有趣的项目。不仅因为在空间使用上，业主从一开始就抛开了日常居家的住宅功能，将空间聚焦于休闲、娱乐、周末会友等范畴，还因项目原始条件特殊，是一个窄而高的垂直建筑腔体，一定程度的挑战赋予了空间超越常规的设计趣味。

This is an intriguing project, not only because the owner intentionally set aside the typical residential functions to focus on leisure, entertainment, and weekend g

atherings, but also due to the unique original conditions of the space—a narrow, tall vertical architectural cavity. This challenge adds a layer of design interest that transcends the conventional.

而这种由内而外、自然生长的有趣性，几乎可遇不可求，有如项目自身孕育的一颗种子，极富生命力。在项目落成之后，这种有趣又因设计语言的转译而变得具体、丰满，既在筋骨格局之内，又在行为姿态之间，强化着空间互动的层次与余韵。

The organic and outward-growing quality of this project is almost serendipitous, like a seed nurtured within the project itself, bursting with vitality. After its completion, this intriguing quality becomes concrete and rich through the translation of design language, enhancing the layers and resonance of spatial interaction both within the structural framework and through the behaviors it encourages.

从入口进来，天井式的庭院里，一棵树，一棵兰，几尾蕨，几处乱石叠错。阳光从西面的玻璃幕墙洒入，再往前就是楼梯与跨越两层楼的书架墙。丰乐堂是业主为空间取的名字，并请书法家题字，横幅作品就挂在阳光无法直射

却又醒目的墙面内侧。

Upon entering, you find a courtyard-style atrium featuring a tree, an orchid, several ferns, and some carefully arranged stones. Sunlight pours in through the glass curtain wall on the west side, leading further to a staircase and a bookshelf wall that spans two floors. Feng Le Tang is the name chosen by the owner for this space, and a calligrapher was invited to inscribe it, with the scroll hanging prominently on an interior wall that is in the shade but still eye-catching.

项目8月正式落成，9月进入微调阶段，10月业主躬身张罗，迎来送往，接待一波一波暖房的亲友。

The project was officially completed in August, entered the fine-tuning phase in September, and in October, the owner personally organized everything, welcoming friends and family in waves to enjoy the warm atmosphere.

用亲友们的话说，这是一个令人惊喜的空间。一楼一半挑空为内庭院兼茶室，一半为厨房操作台与餐厅；二楼有影音空间以及游走廊道；三楼为两个对角线错开的卧室。

As described by friends and family, this is a surprising space. The first floor features a half-height atrium that serves as both a courtyard and tea room, while the other half functions as a kitchen workspace and dining area. The second floor includes a media space and a corridor, and the third floor consists of two bedrooms that are diagonally offset.

空间结构示意图

空间功能相对纯粹，以休闲娱乐为主，尝试以植物、天井、庭院、阳光等因素，在室内模拟一种室外的自然气息。

The dynamic diagram of the spatial structure illustrates that the spaces functions are relatively pure, primarily focused on leisure and entertainment. It attempts to simulate an outdoor natural ambiance indoors through elements like plants, skylights, courtyards, and sunlight.

但这也是一个很难用某个准确的词来定义的空间。它既私密又开放，既在室内又在室外，它有完整的家居功能，却又不属于日常的住宅范畴。它无法定义，可动，可静，可随心所欲。

However, this is a space that is difficult to define with a single accurate term. It is both private and open, existing simultaneously indoors and outdoors. It possesses complete residential functions yet does not fit into the category of a typical home. It defies definition, being both mobile and static, and adaptable to ones desires.

业主和他的家人却对这份“无法定义”颇为满意。把家庭生活中的琐碎通过物理空间的方式分离开来，只在这里保留一份纯粹的惬意，他笃定，这就是精神生活的领地。这里摆脱现实与庸常，支持自然与自我的回归，以此滋养着日常生活的理想与热情。

The owner and his family are quite satisfied with this sense of indefinability. They have separated the trivialities of family life through physical space, retaining only a pure sense of comfort here. He is convinced that this is the realm of spiritual life. This space liberates itself from reality and the mundane, supporting a return to nature and the self, thus nourishing the ideals and passions of daily life.

空间虽小犹大。制造天井，打破常规的空间尺度，模糊室内与室外的边界，使得建筑与庭院跻身于室内成为可能。人在其中，或坐立，或游走，无所拘束。

Although the space is small, it is still grand. By creating a skylight, we break conventional spatial scales and blur the boundaries between indoors and outdoors, making it possible for the architecture and courtyard to merge into the interior. Within this space, people can sit, stand, or wander freely without constraints.

项目原始状况其实很简单，就是一个单幕墙西向采光的长方形水泥盒子，高约10米，占地面积约60平米，类似于一个有着一定限高的原始地块。

The original condition of the project is quite simple: it is a rectangular concrete box with a single curtain wall facing west for natural light, approximately 10 meters high and covering an area of about 60 square meters, resembling a primitive plot with certain height restrictions.

幕墙内，有两根原始结构梁，将整个采光面从上至下平分成三个等份。为了减少西晒，幕墙内侧还需要建立隔墙，以解决室内过热和过晒的现实问题。圆洞的借用，成为空间最关键的起点。用一个直径 4 米的圆洞去解构原始梁柱的形态，既有效控制了太阳光直晒的问题，又消解了原始梁柱过于僵硬的存在感。于是，空间界面从圆洞这里开始生长，建筑结构与体量关系也从这里开始延展。

Inside the curtain wall, there are two original structural beams that divide the entire light-facing surface into three equal parts from top to bottom. To reduce the impact of western sunlight, it is necessary to build partition walls on the inner side of the curtain wall to address the issues of overheating and excessive sunlight indoors. The introduction of a circular opening becomes the most critical starting point for the space. By using a circular opening with a diameter of 4 meters to deconstruct the original beam and column forms, we effectively control the direct sunlight issue while alleviating the overly rigid presence of the original beams and columns. Thus, the spatial interface begins to grow from this circular opening, and the relationship between the architectural structure and volume extends from here.

在一个垂直的长方形体块里，插入一个带圆形孔洞的片墙，由此奠定空间基调，并形成一种独特而醒目的建筑语言，为原本横平竖直的空间注入松弛与活力。

In a vertical rectangular mass, a partition wall with a circular opening is inserted, establishing the spatial tone and forming a unique and striking architectural language that injects relaxation and vitality into the originally rigid space.

片墙上的圆洞，形似门洞，实为窗洞，控制光线的进入，以及视线的延伸。圆洞外侧被抬高，内侧则以户外石材铺地，形成两个略有差异的空间区域。

The circular opening on the partition wall resembles a doorway but functions as a window, controlling the entry of light and the extension of sightlines. The outer side of the circular opening is elevated, while the inner side is paved with outdoor stone, creating two slightly different spatial areas.

圆洞的存在也确定了一个场域的形成。圆洞之下，长条形茶台以交错的方式，跨过圆洞而去，打破隔墙界面的内与外，形成茶室空间在水平方向上的延伸。如此，上方横梁、圆洞、茶台，交织出一个立体而凝聚的场，空间的精神性在此显露。

The existence of the circular opening also defines the formation of a space. Beneath the circular opening, a long tea table crosses through it in a staggered manner, breaking the boundary between the interior and exterior of the partition wall, thus extending the tea room space horizontally. In this way, the upper beam, the circular opening, and the tea table intertwine

to create a three-dimensional and cohesive space, revealing the spiritual essence of the environment.

茶台横穿圆洞的摆放方式，使得茶室形成两个不一样的区域，圆洞外侧为榻榻米，圆洞内侧则是座椅，满足不同的场景需求。

The placement of the tea table crossing through the circular opening creates two distinct areas within the tea room: the outer side of the circular opening features tatami mats, while the inner side offers seating, catering to different scene requirements.

“空而高”是项目的原始特点。圆洞在西面确定起空间界面的同时，也在垂直方向上为挑空的天井庭院提供着存在的重要依据。尤其当阳光从高处照进室内，穿过顶层的露台高窗以及圆洞，投下深长的斜影，户外的感受顿时变得饱满而清晰。

Empty and high is the original characteristic of the project. The circular opening on the west side defines the spatial interface while also providing an important basis for the existence of the atrium courtyard in the vertical direction. Especially when sunlight streams in from above, passing through the high windows of the top terrace and the circular opening, it casts long, slanted shadows, making the outdoor experience suddenly rich and clear.

而圆洞作为一个符号，也在潜意识的东方语境里，提醒着庭院存在的种

种可能。

As a symbol, the circular opening also subconsciously reminds us of the various possibilities of the courtyard within the Eastern context.

入户的位置很巧妙，正好在挑空天井与一楼顶层边界相交的地方，感受上的一舒一张，全部叠加在进门的一瞬间。在这种强对比的暗示下，天井庭院区域变得更加高旷，整体空间感受也因此通透而敞亮。

The entrance is cleverly positioned at the intersection of the atrium and the boundary of the first floor, creating a sensation of expansion and contraction that all converges in the moment of entry. Under this strong contrast, the atrium courtyard area becomes even more spacious, and the overall spatial experience thus feels transparent and bright.

为了强化垂直方向上的空间穿透力，在挑空区域的顶部使用高色温顶光，模拟自然光下的天窗，形成一个从顶部向下投射的光源。如此，配合西侧自然光的进入，虚实相应，使得天井本身与天井下的庭院更符合一种户外的自然状态。

To enhance the vertical spatial penetration, high color temperature ceiling lights are used at the top of the atrium area to simulate a skylight under natural light, forming a light source that projects downwards from above. This, combined with the natural light entering from the west, creates a correspondence between the solid and the void, making the atrium itself and the courtyard below align more closely with an outdoor natural state.

房间、隔墙与游走连廊，对庭院形成围合。划分领域的同时，在墙面上开窗设洞，经营疏密有致的位置关系，建立视线关联、增加空间层次，使每一层的天井都呈现出不同的视野与感受。

Rooms, partition walls, and the connecting corridors enclose the courtyard. While delineating areas, windows and openings are created in the walls to manage a well-structured relationship of density and openness, establishing visual connections and increasing spatial layers, allowing each level of the atrium to present different views and sensations.

天井，既是光的通道，也是空气对流与视线延伸的途径。三层空间经由一个竖向的天井串联起来，形成一个有着一定结构性与体量感的微型垂直建筑。

The atrium serves as a passage for light, as well as a conduit for air circulation and visual extension. The three levels of space are linked together by a vertical atrium, forming a micro vertical structure with a certain sense of structure and volume.

白色的轻钢楼梯，以简洁的方式被安排在一楼公共区域的末端。平行的两段楼梯，笔直而纤细的线条，形态轻盈，与混凝土厚重的建筑墙体形成鲜明的对照，并在这种对照中完成动线的延展与空间的串联。

A white lightweight steel staircase is simply arranged at the end of the public area on the first floor. The two parallel sections of the staircase, with their straight and slender lines, appear light and airy, creating a stark contrast with the heavy concrete walls of the building, while extending the movement lines and connecting the spaces within this contrast.

楼梯内侧是两层楼通高的书架。书架木色较深，白色的楼梯浮于书架之前，形成一种景深关系，成为一楼除圆洞界面以外的另一个视觉方向与焦点。与此同时，书架与楼梯并置，也有一种“知识之梯”的意味。

On the inner side of the staircase, there are bookshelves that reach two stories high. The bookshelves are a darker wood color, while the white staircase floats in front of them, creating a sense of depth and becoming another visual direction and focal point on the first floor, aside from the circular openings. At the same time, the juxtaposition of the bookshelves and the staircase also conveys a sense of a ladder of knowledge.

如舷梯一般楼梯，外置，简练，开放。与庭院中的树与石模拟着一种来自建筑外部的环境。而在楼梯上一级一级攀登，寻找书籍与阅读，又是另一番趣味。

The staircase, resembling a gangway, is external, concise, and open. It simulates an environment that comes from outside the building, alongside the trees and stones in the courtyard. Climbing the staircase step by step to seek books and read offers a different kind of enjoyment.

楼梯在动线上将三层空间进行串联。同时，也连接廊道，连接楼梯转折处的灰空间，以及圆洞外侧的游走连廊。整个空间内部，由此虚实相续，在行进与视线的双重方向上强调着空间的互动感与通透性，为空间中漫不经心的游荡与回望创造无限可能。

The staircase connects the three levels of space along the movement line. It also links the corridor, the gray space at the staircases turn, and the wandering corridor outside the circular openings. Within the entire internal space, this creates a continuity of reality and illusion, emphasizing the interaction and transparency of the space in both movement and sight, allowing for endless possibilities for aimless wandering and reflection within the space.

灵活应用楼梯转角处与连廊末端的区域，置物、插花、抚琴，形成一个视觉小景。可以把玩，可以休憩。与此同时，这些灰空间增加了建筑整体的连贯性，消除了内与外的隔阂，并使得空间情绪可以充分酝酿与安放。

The areas at the corners of the staircase and the ends of the corridors can be flexibly utilized for placing items, arranging flowers, or playing the piano, forming a small visual scene. These spaces can be enjoyed or used for rest. At the same time, these gray spaces enhance the overall coherence of the building, eliminating the barriers between the inside and outside, and allowing the emotional atmosphere of the space to fully develop and settle.

在这个项目里，“东方”并不作为一种孜孜以求的选择而存在，它只是一个顺其自然的结果。东方人文的特性，最终体现在阻挡西晒的圆洞、园林般的庭院小景、中式的茶台、以及栅格式和纸移门，还体现在位于三楼的两间卧房之间。

In this project, Eastern does not exist as a pursuit but rather as a natural outcome. The characteristics of Eastern humanities are ultimately reflected in the round openings that block the western sun, the courtyard-like small scenes, the Chinese tea table, as well as the lattice and paper sliding doors, and are also manifested in the two bedrooms located between the third floor.

两个卧室，犹如两个错开的方盒子，交叉围合虚空环抱出一个天井的中空区域。向下俯瞰，正是一楼的挑空区。空间的延续与穿透在这里形成一个闭环，游走也在这里转换形态，形成卧室之间的两相对望。而榻榻米房间的横向方窗，将外墙对面模拟的山水，如卷轴画一般引入室内。

The two bedrooms are like two staggered square boxes, intersecting to enclose a hollow area that embraces a skylight. Looking down, one can see the double-height space of the first floor. Here, the continuity and penetration of space form a closed loop, and the movement transforms, creating a mutual gaze between the bedrooms. The horizontal square windows of the tatami room introduce the simulated landscape from the opposite outer wall into the interior like a scroll painting.

两个卧室呈对角线错落分布，不仅保证两个卧室都能获得自然光线的进入，还带来通透的孔隙度与延伸感，并在过渡空间中制造种种回望与关照的体验。

The two bedrooms are distributed diagonally apart, ensuring that both can receive natural light while also providing a sense of transparency and extension, creating various experiences of reflection and observation in the transitional space.

同样的，植物的考量，也并非完全出于对园林的复刻，但从结果上来看，确实又冥冥之中完成了对东方园林的某种致敬。

Similarly, the consideration of plants is not entirely based on replicating a garden, but the result does seem to pay homage to Eastern gardens in a subtle way.

用树的曲折形态、竹的疏落、石头的粗砺，一方面是去柔化建筑形体的刚硬，另一方面是创造自然的气息，模拟一种户外的感受。而室内植物，因为要考虑光照、水分、温度、通风等养护问题，植物的选择也就变得非常关键而谨慎。因此，要用不多的植物，营造一种自然生命的丰沛，的确需要借用山水写意的手法。

Using the twisted forms of trees, the sparse bamboo, and the roughness of stones serves to soften the rigidity of the architectural form on one hand, while on the other, it creates a natural atmosphere, simulating an outdoor experience. The selection of indoor plants becomes crucial and cautious, as it must consider issues of light, moisture, temperature, and ventilation. Thus, to create a sense of abundant natural life with a limited number of plants indeed requires employing a method reminiscent of landscape painting.

位于庭院核心位置上的是一棵容易养护的海岛春花树，兰草位于阳光相对偏多的地方，蕨类耐阴则种在楼梯之下。石头与苔藓组合，形成一个个微型的山水小景。

At the core of the courtyard stands an easy-to-maintain Hawaiian flowering tree, while orchids are placed in areas receiving more sunlight, and ferns that tolerate shade are planted beneath the stairs. The combination of stones and moss forms miniature landscape scenes.

空间中另一重惊喜，是在一楼餐厅的内侧墙面上。一个圆形的壁影灯，通过移动等大的圆形遮挡，能模拟出月亮阴晴圆缺的形态。一个小小的空间互动，制造出完全不同的情境与氛围，打动了很多前来参观的朋友，空间与情绪的连接更加紧密起来。

Another surprise in the space is on the inner wall of the first-floor dining room. A circular wall lamp, through the movement of equally sized circular covers, can simulate the phases of the moon. This small interactive space creates entirely different situations and atmospheres, captivating many visitors and tightening the connection between space and emotion.

月亮的设计，充满童趣，充满一个家庭对于孩子的关怀与爱护。与此同时，又正好延续了圆形这一符号，转译成灯的形态。

The design of the moon is filled with childlike charm, embodying a familys care and love for their children. At the same time, it continues the circular symbol, transforming it into the shape of a lamp.

日月同辉有时，月影绰绰有时。当夜幕降临，华灯初上，这里又是另一番光景。

The sun and moon shine together at times, and the moons shadow flickers at others. When night falls and the lights come on, this place presents a different scene.

也许，更重要的是，不要忘了：此时，窗外高楼林立，车流穿梭，城市最繁华的地段正是项目之所在——丰乐堂，一个隐藏在都市藩篱里怡然自得的隐居之所。

Perhaps more importantly, do not forget: at this moment, outside the window, tall buildings stand in rows, vehicles weave in and out, and the citys most prosperous area is precisely where the project is located—Fengletang, a hidden retreat that enjoys tranquility amidst the urban confines.

灯光柔和，夜晚静谧如斯。

The lighting is soft, and the night is tranquil as such.

项目名称｜丰乐堂

项目地点｜中国｜成都

项目面积｜152㎡

设计时间｜2022年12月

完工时间｜2024年09月

设计机构｜季意空间设计GE SPACE DESIGN

主创设计｜李佳

设计团队｜浮宥昔、郝逸凡、尹蔚瑾

项目施工｜立艺而居

主要品牌｜歌美照明/灯光、洛马诺/瓷砖、本木/定制、香草林园/景观

项目摄影｜ICYWORKS

目视频

cloud

目撰文

十有八九

李佳

GE：STUDIO 季意设计公司

创始人 / 设计总监

有态度的设计师，环境工程专业出身，专注于环保空间设计，不喜欢过度装饰，更注重让

居住者回归生活的本身，用最基本的形式， 展现空间对使用者的表述。

代表作品：

《City of Sky》、《MEDISN RESET》、《THE TASTING ROOM》、

《猫狗星球》、《隐》、《复地金融岛》

季意空间设计机构 GE space design，2015 年创立于成都。服务领域包含酒店、民宿、高品质私宅及个性商业空间。尊重自我的表达、自然的生长；重视团队与效率、创意和可靠；坚信设计最本质的目的是解决问题及带来价值。更重要的是，我们始终乐意与不同的委托者一起创造环保、新睿、别致、可持续的美学生活体验。不盲目跟从权威、主义、榜样，New Generation - New Experience。