“自然中的一切物质，山川、溪流、空气以及我们自己，都是被消耗的光塑造的。这皱成一团被称为物质的东西投下一片阴影，这片阴影属于光。”

Everything in nature, Mountains, streams, air and ourselves, All shaped by the light consumed. This crumpled mass called matter casts a shadow, This shadow belongs to the light.

Position | 项目地理位置

地点：广州琶洲保利世贸博览馆1号馆 4B01号展厅

面积：228 ㎡

內容：2024年广州设计周天格展厅

展览时长：4天

Location: Pazhou, Guangzhou

Site Area: 228㎡

Content: 2024 Guangzhou Design Week TIANGE Exhibition

Exhibition Duration: 4 days

横屏观看

效果更佳

▽ 天格展馆视频

天格®是一家成立于 1993 年的实木地板品牌，多年来专注于研发和制造高品质实木地板产品，不仅荣获多项专利和技术荣誉，更以高品质产品和贴心服务赢得了消费者的信赖。

TianGe ® It is a wooden flooring brand established in 1993, dedicated to researching and manufacturing high-quality wooden flooring products for many years. It has not only won multiple patents and technical honors, but also gained the trust of consumers with high-quality products and thoughtful services.

2024年广州设计周是天格首次面向广大设计师群体的集中亮相，汤物臣围绕“天”、“木”、“人”三个核心维度，构筑非遗工艺与天然材料于一体的展厅空间，以治愈系设计承载高品质人居，同时传递天格®的品牌价值观和未来新愿景。

The 2024 Guangzhou Design Week is the first concentrated appearance of TianGe for a large group of designers. Inspiration Group focuses on the three core dimensions of heaven, wood, and human to build an exhibition space that integrates intangible cultural heritage craftsmanship and natural materials. With healing design, it carries high-quality living and conveys TianGe®

s

brand values and new vision for future life.

在中国古代哲学思想里，三角形被认为代表「 天、地、人 」三个方面。

天代表宇宙和神秘的力量，地代表大地和自然界，人代表人类。

In ancient Chinese philosophical thought, triangles were believed to represent the three aspects of heaven, earth, and man. Heaven represents the universe and mysterious forces, earth represents the earth and nature, and humans represent humanity.

因此，三角形也被视为

天、地、人 」

之间的联系和平衡。

Therefore, triangles are also regarded as the connection and balance between heaven, earth, and man.

设计师将木材之美与空间表达糅合，以“

光之居

的理念打造整体展厅。两个大小三角构成展厅建筑主体，产品以极致的艺术手法呈现，光线倾注其中，为建筑注入了朝圣般的精神内核。

The designer combined the beauty of wood with the expression of space, and decided to create an overall exhibition hall in the form of 

Dwelling

of Light, with two large and small triangles forming the main body of the exhibition hall building, and the products were presented in the ultimate artistic technique, and the light poured into it, injecting a pilgrimage-like spiritual core into the building.

搭建主体框架

悬挂单元模块

展示架子拼接

展馆整体通铺温润亲近的原木色基调，营造出温暖静谧的氛围，仿佛直达木材至深处的本真内心。稳定的三角形空间形成宏大城市的缩影，尖锐的棱角内是柔软的包裹，观展者在其中就能感受到品牌的细腻关怀，自然地构建人与空间的情感连结。

The entire exhibition hall is covered with warm and approachable natural wood, as if it directly touches the true essence of the wood deep inside. The grand city is miniaturized into a stable triangular space, with sharp edges wrapped in soft material. Visitors can feel the delicate care of the brand and naturally build an emotional connection between people and space within it.

“最好的建筑是这样的，我们深处在其中，却不知道自然在哪里终了，艺术在哪里开始。”

The best architecture is like this, we are deep in it, but we dont know where nature ends or where art begins.

主体建筑延伸的侧面成为绝妙的陈展台，木地板产品经过艺术化处理，成为构筑空间的一部分，城市与自然的界限被模糊，从而在观展者心中树立起真实纯粹而又差异化的观展感受。

The extended side panels of the main building become a wonderful exhibition stand, and the wooden flooring products are artistically treated as part of the constructed space, blurring the boundary between the city and nature, so as to establish a real, pure and differentiated viewing experience in the hearts of visitors.

建筑师梁思成提过，“中国古代建筑师想得通透：没有什么材料永垂不朽，与其追求原物长存，不如顺应自然生灭，是故多用木材，少用石料......旧去新来，周而复始，生生不息。”

Architect Liang Sicheng once said, Ancient Chinese architects had a clear idea: there is no material that can last forever. Instead of pursuing the longevity of the original, it is better to follow the natural cycle of life and death. Thats why they use more wood and less stone... old goes and new comes, and the cycle repeats itself, with endless vitality.

中国使用木材作为建筑材料的历史悠久，最早可追溯至数千年前的新石器时代。千百年来，木材不仅见证了中华民族的历史变迁，更承载了深厚的文化积淀。

China has a long history of using wood as a building material, dating back thousands of years to the Neolithic Age. For thousands of years, wood has not only witnessed the historical changes of the Chinese nation, but also carried profound cultural heritage.

榫卯工艺演示视频

来源于推演天地奥秘的中国哲学符号，天格推出全球最小的实木锁扣地板，以榫卯工艺拼接，最终筑成了开启朝圣之旅的入口通道。

Originating from the Chinese philosophical symbol of deducing the mysteries of heaven and earth, TianGe has launched the worlds smallest solid wood lock flooring, which is cleverly pieced together with mortise and tenon technology, ultimately creating the entrance passage for embarking on a pilgrimage journey.

榫卯工艺的巧妙运用，通过虎口榫鎖扣实现可拆卸与重复利用，光影透过缝隙洒落，形成独特图案，进一步传递环保与自然的和谐理念。

Traditional mortise and tenon joints, including tiger-mouth tenon locks, allow for detachable and reusable designs, with light filtering through gaps to create unique patterns, highlighting sustainability and harmony with nature.

以装置的方式来表达天格木地板的虎口榫鎖扣系統的牢固性，拉线及其不同的拉扯方向，呈现出拉力状态，虎口榫鎖扣可以承受500公斤以上的拉力。

Through the way of device to express the firmness of the tenon locking system of the tiange wood floor, using the way of pulling wire and different pulling directions to show the pulling force state, to show that the mortise and tenon lock can bear more than 500 kilograms of tension.

拉力装置

“建筑是光线下形状正确、绝妙、又神奇的游戏。” 品牌故事与匠心精神在这教堂式中轴对称的秩序空间精彩演绎，与观众建立起沉浸式的情感链接。

Architecture is a game of right, brilliant and magical shapes in the light. The brand story and ingenuity are brilliantly interpreted in this church-like central symmetrical order space, establishing an immersive emotional connection with the audience.

光，作为空间的灵魂，贯穿始终，赋予每一处细节以生命力。三角形结构在光影下流动，檐下居所，光影斑驳。通过木地板步步高拼法与鱼骨拼法，创造木构秩序与光影交错的视觉效果，构筑通透装置感的空间。

Light, as the soul of the space, breathes life into every detail.

The triangular forms flow under shifting light, while dappled shadows beneath the eaves forge a connection between people and the space

.A combination of step-by-step and herringbone patterns highlights the beauty of fine woodworking, adding texture and a sense of transparency, a wooden structural order is created, interlaced with light and shadow.

高品质的人居环境首先是对自然的尊重与融合，然后是不可或缺的人文关怀。可拆卸重复利用的筑造材料，不仅展示了品牌卓越的产品，更传达了品牌可持续发展的愿景与社会责任。

A high-quality living environment is first and foremost a respect and integration of nature, followed by indispensable humanistic care. The detachable and reusable building materials not only showcase the brands outstanding products, but also convey the brands vision of sustainable development and social responsibility.

除了沉浸式的空间设计，展厅还通过更多的细节营造，为观众带来一场确切可感知的品牌体验。长台展桌近距离体验传统榫卯工艺的乐趣，感受品牌深厚的文化内涵。

In addition to immersive spatial design, the exhibition hall also creates more details to provide the audience with a tangible brand experience. Experience the joy of traditional mortise and tenon craftsmanship up close at the Changtai exhibition table, and feel the profound cultural connotation of the brand.

利用木地板组合成单元模块，树池、椅子与地板交融，展览、体验、休憩多功能共存，融合金属、木材等材料再构微观装置，不同的组合方式和穿插关系去营造不同的空间场景，交织错落表达城市的繁华感，观众在光与木的交融中，体验人居设计的匠心表达，开启一场关于高品质人居的探索之旅。

The multi-dimensional application of products within the space utilizes minimal wooden floor combinations to form modular units, tree planters, seating, and solid wood flooring, seamlessly merging exhibition, experience, and relaxatio

n,the microscopic device is reconstructed by fusing materials such as metal and wood.T

his immersive spatial experience and attention to wooden details initiate a journey of exploration into high-quality living environments.

长桌装置

通过不同材料再构微观装置，上图为表达城市中的微观空间

通过不同材料再构微观装置，上图为致敬建筑师密斯凡德罗的巴塞罗那德国馆

桌面微观装置

在快速变迁且日益增长的消费需求推动下，家具行业正经历一场深刻的变革之旅。天格通过持续创新、专注深耕、不断升级与精心优化，始终致力于探索突破界限的方法，精心塑造独一无二的品牌形象。

Driven by rapidly changing and increasingly growing consumer demand, the home furnishing industry is undergoing a profound journey of transformation. Tiange is committed to exploring ways to break through boundaries and carefully shaping a unique brand image through continuous innovation, focused cultivation, continuous upgrading, and meticulous optimization.

此次天格携手著名设计师谢英凯共同打造的“筑木为间”展厅，首次亮相广州设计周就收获业界内外一众好评。这不仅仅是一场展览，更是一次全方位、深层次、多维度探索高品质人居空间的思考盛典。

The Wooden Space exhibition hall, jointly created by Tiange and renowned designer Thomas Tse, made a stunning debut at Guangzhou Design Week. This is not just an exhibition, but also a comprehensive, in-depth, and multi-dimensional exploration of high-quality living spaces.

▽ 平面图

项目信息

ABOUT THE PROJECT

项目名称：2024年广州设计周天格展厅

项目地址：广东广州

项目类型：展览陈设

项目面积：228㎡

设计时间：2024年9月

完成时间：2024年12月

设计单位：汤物臣·肯文创意集团

设计总监：谢英凯 Thomas Tse

空间设计师：汤泽凡 Cade Tang

效果图设计师：

汤泽凡

Cade Tang

设计助理：许铎瀚 Darren Xu

项目统筹：邝安潼 Lala Kwong

项目摄影：不二山人

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