空间的一半依赖于设计

另一半则源自于存在与精神

“Half of space depends on design the other half is derived from presence and spirit.”

——安藤忠雄（Tadao Ando）

公寓的设计利用石灰粉刷墙面上的光影效果，突显出白橡木铣削材料的质感温暖，微妙地改变每个空间的氛围。

Ember Studio的首秀项目，

Crosby Street Apartment，

将曼哈顿下城的一处住宅改造成了一座宁静的避难所，位于纽约市，其灵感来源于该工作室创始人的水彩画。

Ember Studios debut project, Crosby Street Apartment， Transforming a residential area in Lower Manhattan into a peaceful sanctuary located in New York City, inspired by the watercolor paintings of the studios founder.

最初只是一次简单的友好举动——在家人朋友婚礼前赠送的手绘水彩名片——却成为

北美

室内设计实践

Ember Studio

的指导灵感。由创始人 Stephanie Betesh 创作的那幅水彩画，影响了这对夫妇在犹他州的请柬设计，也塑造了他们新买的Crosby Street 阁楼的设计， resulting 在一个感觉平静、亲密且静静地层次丰富的家——一个远离城市喧嚣但又不感到脱离城市的避难所。

At first, it was just a simple friendly gesture - a hand drawn watercolor business card given to family and friends before their wedding - but it became the guiding inspiration for Ember Studio, a North American interior design practice. The watercolor painting created by founder Stephanie Betesh influenced the couples invitation design in Utah and also shaped the design of their newly purchased Crosby Street loft, resulting in a peaceful, intimate, and layered home - a refuge away from the hustle and bustle of the city without feeling disconnected from it.

复古藏品和独立设计师的作品层叠丰富了公寓的简约建筑框架。

从一开始就，公寓通过光影来营造一种微妙而不断变化的氛围。复古木材制成的戏剧性弧形门引导着入口走廊通向家的核心，那里有一个带有柔和嵌灯的嵌入式壁龛，照亮了上面配有Floris Wubben镜子的内置控制台。

From the beginning, the apartment created a subtle and constantly changing atmosphere through light and shadow. A dramatic curved door made of vintage wood guides the entrance hallway to the heart of the home, where there is an embedded niche with soft recessed lights that illuminate the built-in console with Floris Wubben mirrors.

走廊尽头，11英尺高的落地窗将自然光洒满厨房、餐厅和客厅，使中性色调的家居空间充满活力。

为了满足阁楼的空间需求，空间被隐藏在壁凹之后。

餐厅区域旁边，多功能办公室兼作客房，隐藏在滑动条形橡木门后，配有折叠式墨菲床，既灵活又具有质感，而不破坏整体布局。

At the end of the corridor, 11 foot high french window sprinkle natural light all over the kitchen, dining room and living room, making the neutral home space full of vitality. In order to meet the space requirements of the attic, the space is hidden behind the wall recess. Next to the restaurant area, a multifunctional office doubles as a guest room, hidden behind sliding bar oak doors and equipped with a foldable Murphy bed that is both flexible and textured without compromising the overall layout.

在整个公寓中，每一种材料和物品都是因其质感和存在感而被选择的。

白橡木的工厂产品作为室内设计的基石，而手工涂抹的Bauwerk色彩石灰水和手工石膏为墙壁增添了宁静的深度。

复古家具，采购自小镇的集市，与独立制造商的定制作品舒适地并列，营造出一种随着时间的推移而静静收集而非刻意组装的室内感觉。

Throughout the entire apartment, every material and item is chosen for its texture and presence. White oak factory products serve as the cornerstone of interior design, while hand applied Bauwerk colored lime water and handmade plaster add a peaceful depth to the walls. Vintage furniture, sourced from the small town market, is comfortably juxtaposed with customized works from independent manufacturers, creating an indoor feel that is quietly collected over time rather than deliberately assembled.

“每件物品都有其独特的历史，或者在过程中讲述一个故事，无论是我在一次即兴的墨西哥之旅中发现的艺术品，还是由朋友制作的定制陶瓷吊坠，”Betesh 说。

“这种意外的组合让我保持警惕——我寻找物品、艺术作品或 ways 来将创作者纳入否则没有机会参与的项目中。

Every item has its unique history, or tells a story in the process, whether its an artwork I discovered during an impromptu trip to Mexico or a custom ceramic pendant made by a friend, Betesh said. This unexpected combination keeps me alert - I search for items, artworks, or ways to incorporate creators into projects that I wouldnt have had the opportunity to participate in otherwise. ”

橡木比利时粗野主义扶手椅围绕着一盏 YuccaStuff 餐桌，由 Atelier 001 吊灯照亮，而定制的条形橡木门在隐藏的轨道上滑动，以封闭办公室和客房卧室。

客房兼作办公室，隐藏在定制的条形橡木门后面，并配有可折叠的墨菲床，配有白橡木搁板和隐藏的拼接工艺。

在室内各个地方，手工涂抹的 Bauwerk 色彩‘反思’ 的石灰乳创造了一个温暖、有触感的背景。

在厨房，白橡木橱柜无缝过渡到餐厅和客厅区域，以橡木饰面为特色，为日常家庭生活而设计。

私人空间继续关注工艺和物质性。

主卧室套房优雅精致，其浴室以定制的白橡木梳妆台为中心，梳妆台顶部是月灰色石灰华，配有一对由单一意大利石材雕刻的雕塑浴缸。

手抹的Marmorino plaster使空间柔和，而淋浴和浴缸上方的降低橡木天花板增加了温暖和围合感。

Private space continues to focus on craftsmanship and materiality. The master bedroom suite is elegant and exquisite, with a customized white oak vanity as the center of the bathroom. The top of the vanity is moon gray limestone, and it is equipped with a pair of sculpted bathtubs carved from a single Italian stone. The hand applied Marmorino plasma softens the space, while the lowered oak ceiling above the shower and bathtub adds warmth and enclosure.

在主卧室套房中，

黑胡椒色

Bauwerk Colour

覆盖了墙壁。

该房间的墙壁是用手工抹平的 Marmorino 石膏，淋浴和浴缸上方是用白橡木覆盖的悬挂式天花板，通过回收木材制成的门进入，这些门赋予了一种永久性和规模感。

定制的橡木梳妆台上面铺着月灰色石灰华，并配有从意大利进口的雕刻石盆。

由 Rebecca Major 手绘的壁画个性化了婴儿房，搭配了装裱的压花和回收木材。

卧室采用更暗、更有情绪的色调，而婴儿房则提供更明亮、更有趣味的对比。

在这里，视觉艺术家Rebecca Major的手绘壁画与压花作品相对。

The bedroom adopts darker and more emotional tones, while the baby room provides brighter and more interesting contrasts. Here, the hand-painted murals by visual artist Rebecca Major are contrasted with embossed works.

Ember Studio 的克罗斯比街公寓是一个在每一个细节中实现的家；

其层叠的纹理、材料的完整性和空间的平衡使每个角落都无可挑剔，提供一种在门关闭后城市喧嚣之外的安静、坚定的亲密感。

Ember Studios Crosby Street apartment is a home realized in every detail; The layered texture, integrity of materials, and balance of space make every corner impeccable, providing a quiet and steadfast intimacy beyond the hustle and bustle of the city when the door is closed.

INFO

项目名称：

CLARIDGE

项目类型：私人公寓

项目坐标：美国 纽约

项目

完成

2024年

室内设

计：EMBER STUDIO

目摄影：

DAVID MITCHELL

AGENCY FOUNDER

STEPHAN BETESH

EMBER STUDIO 创始人 / 设计总监

Stephan Betesh

是总部位于纽约的 Ember Studio 的创始人，拥有十多年的室内设计经验，曾在全国各地的精品酒店、餐厅和住宅项目工作。她获得了得克萨斯大学奥斯汀分校建筑学院室内设计理学士学位，并在工作的各个方面实施了建筑一体化的方法，超越了多个尺度。Steph对她的所有项目都采用了整体方法——无论是空间的内部建筑、架子上的配饰布置，还是装饰定制物品的最小设计细节，每个元素都体现了独特的个性和身份。从她的建筑教育和她作为空间设计师的正式实践中汲取灵感，斯蒂芬的作品强调了个体物体与其环境之间的和谐关系。每一个空间和物体都经过人体工程学的深思熟虑，并受到人类尺度体验的启发，邀请您进入，同时鼓励人类联系的时刻。