在与 Rafael Freyre 的交谈中，他告诉我们：“如果要用一句话表达这个项目的精神，我会说，这是一座‘

景观剧场

。”在 Yayasan Bali Purnati 项目中，秘鲁实验性艺术与建筑事务所 RF Studio 再次展现了其对自然与文化共生关系的敏锐洞察。事务所以探索当代栖居与生态系统的互动为核心，依据在地景观与材料创作出具有手工温度的特定场地作品。

In a conversation with Rafael Freyre, he told YINJISPACE, If I were to express the spirit of this project in one sentence, I would say that this project is a landscape theater. In the Yayasan Bali Purnati project, the Peruvian experimental art and architecture firm RF Studio once again demonstrated its acute insight into the symbiotic relationship between nature and culture. The firm takes exploring the interaction between contemporary habitation and ecosystems as its core, and creates site-specific works with a handcrafted warmth based on local landscapes and materials.

RF Studio 创意总监 Rafael Freyre

正如 Rafael Freyre 所言：“此次设计的重点不在于建造新的事物，而是去发现那些早已存在之物。这个地方的精神比我们更古老，建筑只是倾听并作出回应。”在这片正面临开发与文化压力的土地上，该项目以谦逊的姿态让传统与现代对话，使建筑成为自然与人性之间的一座桥梁。

As Rafael Freyre said, The focus of this design is not on building new things, but on discovering what already exists. The spirit of this place is older than ours. Architecture merely listens and responds. On this land that is currently under pressure from development and culture, this project, with a humble attitude, enables a dialogue between tradition and modernity, making architecture a bridge between nature and humanity.

印际：您与 Yayasan Bali Purnati 的合作已超过二十年。您如何看待建筑与表演艺术之间的关系？

YINJISPACE: You’ve been working with Yayasan Bali Purnati for over two decades. How do you see the relationship between architecture and performing arts?

Rafael Freyre：Yayasan Bali Purnati 是一个让艺术家在自然中进行实验的独特场所。在这里，身体与空间紧密相连，进入空间时身体会开始“聆听”，感知与行为都会随之变化，并唤醒新的情感与想象。长期与空间共处，你会被其所重塑，潜意识、身体与环境相互交织。对我而言，建筑与表演艺术之间是无界的，它们共同构成了一个流动而连续的时空场域。

Rafael Freyre: Yayasan Bali Purnati A unique place for artists to experiment in nature. Here, the body is closely connected with the space. When entering the space, the body begins to listen, and both perception and behavior will change accordingly, awakening new emotions and imagination. If you coexist with space for a long time, you will be reshaped by it, with your subconscious, body and environment interwoven. For me, there is no boundary between architecture and performing arts. Together, they form a flowing and continuous spatiotemporal field.

印际：您将这个项目描述为“揭示已然存在之物”，而非增添新元素。请问，这种设计方法反映了您怎样的设计哲学？

YINJISPACE: You’ve described the project as revealing what already exists, rather than adding something new. What does this approach say about your design philosophy?

Rafael Freyre：我最初接触“艺术”是通过戏剧，学习如何诠释剧本、文本与动作。后来在建筑实践中，我仍将空间视作一种“剧本”，需要反复观察、聆听并内化。空间中充满符号、信号与姿态——包括土地、植被、气候、光影、邻里、动物、传统与文化——我的工作就是对这些已存在的元素做出回应。这是一个持续倾听、理解与回应的过程，将空间融入身体与心智，从而形成设计。

Rafael Freyre: I first came into contact with art through drama, learning how to interpret scripts, texts and movements. Later in my architectural practice, I still regarded space as a kind of script, which required repeated observation, listening and internalization. The space is filled with symbols, signals and postures - including land, vegetation, climate, light and shadow, neighbors, animals, traditions and culture - and my job is to respond to these existing elements. This is a continuous process of listening, understanding and responding, integrating space into the body and mind, thereby forming design.

由 Rafael Freyre 领导的艺术与建筑事务所 RF Studio 公布了其最新项目——为致力于巴厘岛表演艺术的 Yayasan Bali Purnati（巴厘岛 Purnati 艺术中心）设计的一处极为私密的居所。项目坐落于基金会所处的 Batuan 园区内，由三栋别墅与九间客房组成，旨在为艺术家的驻留与基金会的公共活动提供新的空间支持。

Bali, Indonesia (September 3, 2025) | RF Studio, the art and architecture practice led by Rafael Freyre, unveils its latest project: a radically intimate residence for Yayasan Bali Purnati (The Bali Purnati Center For The Arts), a foundation dedicated to the performing arts in Bali. Located on the foundation’s grounds in Batuan, the extension project consists of three villas and nine guest rooms designed to support the foundation’s residency program and public programming.

Rafael Freyre 与 Yayasan Bali Purnati 的合作始于 2002 年。那一年，Rafael Freyre 在纽约与以实验性表演著称的 Watermill Center（由已故戏剧导演 Robert Wilson 创立）共同度过了一个夏天，随后便带着一个行李箱和一本素描本来到了巴厘岛。

The collaboration between Rafael Freyre and Yayasan Bali Purnati began in 2002. Rafael arrived in Bali with a suitcase, a notebook of drawings, and the company of the late theatre director Robert Wilson, following a summer at the Watermill Center in New York, a space known for experimental performance.

这次初访成为建筑、表演与场所之间持续对话的起点，也为此后长达数十年的跨界合作奠定了基础。

That first visit laid the groundwork for a long-term exchange between architecture, performance, and place.

此次建筑介入并非为了引入新的美学语言，而是力求与现有环境自然共生，并延续基金会圆形剧场与舞台的空间精神。项目将建筑与景观融为一个有机的生命系统——顺应土地，尊重原生植被，让自然引导形式与体验。

Rather than introducing a new aesthetic, the architectural intervention was designed to integrate seamlessly with the existing context, and complement the foundation’s amphitheatre and stage. The project merges architecture with landscape as a seamless, living system: adapting to the land, honoring native vegetation, and allowing nature to lead both form and experience.

建筑采用现场发现的天然材料，如回收木材、竹子、火山石与手工赤陶，结构则围绕既有树木展开，随地势起伏，并向稻田的光线与宁静敞开。室内部分则与当地工匠紧密合作，所有家具与装置均为场地量身定制，使空间在自然与手工的对话中生长。

Built in part from natural materials found on-site—salvaged wood, bamboo, volcanic stone, and handmade terracotta—the structures weave around existing trees, follow the land’s contours, and open toward the light and quiet of the rice fields. Interiors were created in close collaboration with local artisans, with all furniture and fixtures custom-made for the site.

这处居所，如同它所支持的基金会一般，深深根植于“表演”之中——不仅是舞台上的戏剧，更是日常生活的仪式：醒来、沐浴、休憩、凝望月升，在隐秘花园中与自然相融，或只是静静存在。它向艺术家与充满好奇的旅人敞开大门，邀请他们以巴厘岛的步调生活。

The residence, like the foundation it supports, is rooted in performance—not only theatrical but also the daily rituals of life: waking, bathing, resting, watching the moon rise, merging with the outdoors in hidden gardens, sunbathing, or simply being still. It welcomes artists and curious travelers alike, inviting them to move at the pace of Balinese time.

当巴厘岛正承受着过度开发与文化商品化的压力时，这个项目选择了一条更为静谧的路径——在这里，传统与现代不是对立的两极，而是一场持续的对话。它成为连接不同文化与物种的桥梁，让建筑以谦逊的姿态回应环境。正如其孕育过程一般，这件作品微妙而踏实，深深扎根于土地之中，饱含真切的人文温度。

As the island faces mounting pressures from overdevelopment and cultural commodification, the project offers a quieter path, where tradition and modernity are not in opposition but in conversation. A bridge between cultures, and between species. The work, like the process behind it, is subtle, grounded, and intensely human.